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黄自合唱作品的美学阐释

发布时间:2018-03-03 14:41

  本文选题:美学阐释 切入点:传统文化 出处:《湖南师范大学》2004年硕士论文 论文类型:学位论文


【摘要】:长期以来,,我们的合唱艺术常常被人等同于群众歌咏,时至今日,对合唱的理解仍旧停留在音要准、声音要齐、音量要响,其中不乏专业音乐工作者,这无论对合唱的专业教育还是普及教育都是一种严重的弊病。 本文认为,造成这一状况的关键在于将合唱艺术与文化分离,将合唱作为一种宣传和纪念的传统思维没有随时代的发展而改进。合唱艺术就其本质而言,它和其他艺术一样,总是特定文化的产物,特定生命形态与生命方式的产物。所以,对合唱作品的理解和阐释应根植于产生它的文化之中。只有从文化的角度对合唱作品美学阐释,才能对所要表现的作品产生最广泛最深刻的认同,也只有基于共同的恰当的理解作品,才能产生作品内容所需要的合唱音响。 本文分三个部分进行:第一部分对黄自主要合唱作品作概括性的分析;第二部分论述黄自的音乐美学思想;第三部分以中国传统音乐文化为基线,结合黄自音乐美学思想中在当今仍具有启示意义的精华,对其主要合唱作品作美学阐释,通过二者的融合来表现黄自合唱作品的独特的美,也期望以本文的论述为开辟中国合唱艺术新的研究领域尽微薄之力。
[Abstract]:For a long time, our chorus art has often been equated with singing by the masses. To this day, the understanding of choral singing has remained at the level of sound, sound and volume, among which there are many professional musicians. This is a serious drawback to both the professional education of chorus and universal education. This paper argues that the key to this situation lies in the separation of choral art from culture, and the traditional thinking of choral singing as propaganda and remembrance has not improved with the development of the times. It is always a product of a particular culture, a particular life form and a life style. Therefore, the understanding and interpretation of choral works should be rooted in the culture in which they were created. In order to produce the most extensive and profound recognition of the works to be performed, and only based on a common and appropriate understanding of the works, the chorus sound needed for the content of the works can be produced. This paper is divided into three parts: the first part makes a general analysis of Huang Zi's main choral works; the second part discusses Huang Zi's musical aesthetics; the third part takes Chinese traditional music culture as the baseline. Combining the essence of Huang Zi's music aesthetics thought which still has enlightening significance at present, the aesthetic interpretation of his main choral works is made, and the unique beauty of Huang Zi's chorus works is expressed through the fusion of the two. It is also expected that this paper will open up a new research field of Chinese chorus art.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J605

【引证文献】

相关硕士学位论文 前2条

1 林花琼;黄自《长恨歌》音乐悲剧性初探[D];福建师范大学;2007年

2 孔轶;黄自清唱剧《长恨歌》中的民族性[D];西南大学;2010年



本文编号:1561468

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