初论电子音乐的音响听觉特性

发布时间：2018-03-04 08:17

本文选题：音响特性　切入点：听觉能力感知　出处：《中央音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：电子音乐在音乐理念的层面上和人们固有的、已经形成“定式”的传统思维模式有很大的不同,这种不同从音乐的内容到音乐的形式、从音乐的材料到音乐语汇的构成、从音乐的组织原则到音乐的发展逻辑、从音乐的创作形态到音乐的传播方法……,而构成一部作品的重要因素则是“声音”。在现代高科技软硬件效果器的辅助下,声音不仅是单一的与音高加节奏划等号,电子音乐的声音之所以丰富是来源于作曲家不断的追求声音音响特性,如果想要准确的创作出我们内心听觉的声音,则我们需要从单一声音的音素质量乃至可再创作性有所分析。首先,论文将听觉感知的模式作为找寻电子音乐音响特性的基础。并一一在理论上概括已有的听觉模式并对其进行梳理。提炼出对于探寻电子音乐音响特性有帮助的信息。然后,运用“听懂”的原理。通过对单一声音频率、频段以及数字化效果器对声音创新的听觉感知及分析,从声音的基本要素着手,相对于传统的音高概念,找寻电子音乐中的声音音响特性。通过频率、频段以及各种常规效果器对声音的处理,使电子音乐创作者在积累听觉经验的同时,运用电子音乐创作技术手段将运用拾音技术采样的单一声音电子化,并试图将原本单一的声音元素进行裂变、重组,从而得到更多的具有电子音乐音响特性的声音。之后,论文通过一定的篇幅论述了色彩与空间的结合,探寻电子音乐中对于聆听空间感特有的音响特性。从而明确地提出了电子音乐特有音响听觉的空间“静态与动态分层”的重要论点。这是电子音乐赋予声音的新的生命力。将空间作为创作的一部分,区别于传统音响听觉,巧妙地融入作品中。论文明确指出作曲家在创作作品时应了解电子音乐中声音的音响特性,从而创造出符合音乐情感表达并具有鲜明电子音乐音响特性的电子化声音。论文通过对常用电子音乐创作技术手段和常用效果器软件所产生的声音变化,强调了电子音乐的音响听觉特性与电子音乐技术处理是不可分割的整体。总之,掌握电子音乐中的音响特性,能够更好的去分析大量非乐音构成的电子音乐作品,能够带来创作上的听觉经验的累积,能够相对准确的分析出电子音乐创作中单一材料的复杂展开过程。
[Abstract]:Electronic music is very different from the traditional mode of thinking that has formed a "stereotype" on the level of musical idea, from the content of music to the form of music, from the material of music to the composition of musical vocabulary. From the organizing principle of music to the logic of music development, from the creation of music to the dissemination method of music, the important factor that constitutes a work is "sound". Sound is not only singly equated with pitch and rhythm, but the rich sound of electronic music comes from the constant pursuit of sound and sound characteristics by composers, if we want to accurately create the sound of our inner hearing. Then we need to analyze the phoneme quality of a single sound and even its re-creation. First of all, the paper takes the auditory perception pattern as the basis to find the acoustic characteristics of electronic music, and summarizes and combs the existing auditory patterns one by one in theory, and extracts the useful information for exploring the audio characteristics of electronic music. Then, by using the principle of "understanding", through the auditory perception and analysis of the sound innovation of single sound frequency, frequency band and digital effector, we begin with the basic elements of sound, compared with the traditional pitch concept. Look for sound sound characteristics in electronic music. Through the processing of sound in frequency, frequency band, and various conventional effectors, electronic music creators can accumulate auditory experience, The electronic music creation technique is used to digitize the single sound sampled by using the pick up technique, and try to fission and recombine the original single sound element, so as to obtain more sound with the characteristics of electronic music sound. After that, the paper discusses the combination of color and space through a certain space. This paper explores the special sound characteristics of listening space in electronic music, and puts forward the important argument of "static and dynamic stratification" of listening space in electronic music. This is a new sound given by electronic music. The vitality of space as part of creation, Different from the traditional sound and hearing, skillfully integrated into the work. The paper clearly points out that composers should understand the sound characteristics of electronic music when creating works. In order to create the electronic sound which accords with the music emotion expression and has the distinct electronic music acoustics characteristic, the article through the commonly used electronic music creation technical means and the common effect device software produces the sound change, It is emphasized that the acoustical characteristics of electronic music and the processing of electronic music technology are inseparable whole. In short, mastering the sound characteristics of electronic music can better analyze a large number of non-musical electronic music works, which can bring about the accumulation of auditory experience in creation. Can relatively accurate analysis of electronic music creation in the complex development of a single material process.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J619

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