关于《京剧印象》的形式分析及其“立意”解读

发布时间：2018-03-27 05:03

本文选题：《京剧印象》　切入点：权吉浩　出处：《中央音乐学院学报》2010年03期

【摘要】：琵琶协奏曲——《京剧印象》是我国朝鲜族作曲家权吉浩近年完成的一部重要作品,由"念白"、"武场"、"旦"及结束部构成,作品的构思与乐思来自于京剧,音色结构与织体结构及整体布局均与京剧中固定的程式化格式和内容相关联。但作者的"立意"①却并不仅限于此,而是更多地凸显为由主观印象而引发的"借景发挥"。因而,语言("念白")化的写作、主导音程的贯穿、节奏的数控方式、新音色的挖掘等现代技法成为作者探索中国传统文化艺术表现的主要手段。作品意在强调一种建立在20世纪多元化音乐语言和鲜明个人风格基础上的"中国性"传达。
[Abstract]:Pipa Concerto-"impression of Beijing Opera" is an important work completed by Chinese Korean composer Quan Gehao in recent years. It is composed of "read White", "Wu Chang", "Dan" and the end part. The conception and music of the works come from Peking Opera. The timbre structure, texture structure and overall layout are related to the fixed formulaic format and content in Peking Opera. However, the author's "idea" 1 is not limited to this, but it is more prominent because of the subjective impression of the "play by the scene." Language ("read white") of writing, dominating the interval through, rhythm of the numerical control way, Modern techniques, such as the excavation of new timbre, have become the main means for the author to explore the expression of Chinese traditional culture and art. The works are intended to emphasize a kind of "Chinese" communication based on the pluralistic musical language and distinct personal style in the 20th century.
【作者单位】：沈阳音乐学院音乐学系;中央音乐学院;
【基金】：沈阳音乐学院2010年院级重点科研项目2010KYA018
【分类号】：J605

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