那策格道尔基《呼麦、马头琴与管弦乐协秦曲》的研究与分析

发布时间：2018-03-27 06:44

本文选题：那策格道尔基　切入点：呼麦　出处：《中央民族大学》2012年硕士论文

【摘要】：2010年我有幸得到老师支持,并经过学校审核,顺利通过本校“211”出国访学项目赴蒙古国文化艺术大学音乐学院学习一年。我初到那时,当地音乐家协会为纪念刚辞世不久的那策格道尔吉老师举行为期一周的“那策格道尔吉一生的音乐之路”学术研讨会,我也是在此研讨会后开始关注这位老师,并决定了毕业论文的取材方向。那策格道尔吉(1951年一2010年),蒙古国作曲家,曾任蒙古国歌剧院院长、蒙古国音乐家协会会长、蒙古国文化艺术大学教授。他一生写过5部交响乐,5部歌剧、2部舞剧、14首协奏曲,15首室内乐作品、18首电影、戏剧音乐,12首艺术歌曲。《呼麦,马头琴与管弦乐协奏曲》是作者那策格道尔基2007年完成并由蒙古国文化艺术大学呼麦,马头琴老师铁木真(п.гзмуужин)与蒙古国交响乐团首演于乌兰巴托。做为蒙古国历史上第一部呼麦,马头琴与管弦乐协奏曲,在当地引起了不小的轰动,也填补了世界蒙古族音乐关于这种创作表演形式的空白。本文基于对《呼麦,马头琴与管弦乐协奏曲》本体的研究,具体采用文献资料法、比较法、田野调查法、个别访谈法,综合分析法来探索作者在本作品中的民族作曲技法和作曲理念。本文总体分为两大部分：第一部分为第一章蒙古国音乐简介,笔者从蒙古国音乐发展历史、蒙古国呼麦、蒙古国马头琴、蒙古国当代作曲家作品概况四方面来具体介绍蒙古国音乐；第二部分则为本文的研究对象那策格道尔基《呼麦、马头琴与管弦乐协奏曲》的具体介绍与分析。本部分分为两章,第一章为《呼麦、马头琴与管弦乐协奏曲》的介绍,笔者从曲作者的生平简介、创作背景以及此作品的艺术风格特征与创作意义三点从“面”的方向将其介绍给读者,使读者对此协奏曲能够有整体的认识。第二章为《呼麦、马头琴与管弦乐协奏曲》的作品曲式及技法分析,本章综合曲式结构、旋律特征、和声分析以及配器技法四方面从“点”的方面来具体剖析这部协奏曲,将其民族作曲技法和作曲理念一一分析出来。在第二部分中,笔者不仅单一的分析该作品的特点,还将此协奏曲与该作者的其他作品以及蒙古国其他当代作曲家们的马头琴作品做以对比分析,从而突出本文的研究对象那策格道尔基的这首协奏曲的写作风格与特点。本文力求从本作品的背景,演奏形式,和声,配器等多方面进行研究,为分析蒙古国现代作曲家的管弦乐创作作品的论文予以补充,更重要的是,希望我们能在保护和传承自己民族文化艺术的基础上多创新,做出自己的风格,走出自己的道路,使我们的民族音乐艺术更加专业化,国际化。
[Abstract]:In 2010, I had the honor of receiving support from my teachers, and after being approved by the school, I went to the Conservatory of Music of Mongolia University of Culture and Art for a year through the "211" program of visiting abroad. At that time, I arrived at that time. The local musicians' association held a week-long symposium on "the Road to Music in the Life of Natsagorge" to commemorate the recent death of teacher Natesgerjee, and it was after this seminar that I began to pay attention to this teacher. And decided the selection direction of graduation thesis. Natse Gordolgi (1951-2010), composer of Mongolia, former president of Mongolian opera house, president of Mongolian musicians association, Professor of Mongolian University of Culture and Art. He wrote 5 symphonies, 5 operas, 2 dance dramas, 14 concertos, 15 chamber music, 18 films, 12 dramatic music, 12 art songs. "Concerto for Matou and Orchestra" was first performed in Ulaanbaatar by author Natsegradalki in 2007 and was first performed by Humi, a teacher of the Mongolian University of Culture and Art, and the Mongolian Symphony Orchestra, as the first Humai in the history of Mongolia. Matou piano and orchestral concerto caused a stir in the local area, but also filled the world Mongolian music about this form of creative performance blank. Based on the Noumenon of "Homei, Horsehead and Orchestra Concerto", this paper adopts the methods of literature, comparison, field investigation, individual interview, etc. This paper is divided into two parts: the first part is the introduction of Mongolian music in the first chapter. Mongolian Matou Qin, Mongolian contemporary composer works in four aspects of the specific introduction to Mongolian music; the second part is the research object of this article, Natesegorgi < Homei, This part is divided into two chapters. The first chapter is the introduction of "Humai, Matou Qin and Orchestra Concerto". The background, artistic style and significance of this work are introduced to the reader from the direction of "face", so that the reader can have an overall understanding of the concerto. An Analysis of the composition and techniques of the Concerto of Horsehead and Orchestra. This chapter analyzes the Concerto from the aspects of "dot" from four aspects: the structure of the composition, the characteristics of the melody, the analysis of harmony and the techniques of the orchestration. In the second part, the author not only analyzes the characteristics of the work, but also analyzes the characteristics of the work. In addition, the Concerto is compared with other works of the author and other contemporary Mongolian composers' works of the Matou piano, so as to highlight the writing style and characteristics of the concerto by Natse Gordolki, the object of this paper. This paper tries to study the background, performance form, harmony, orchestration and other aspects of this work, so as to supplement the analysis of modern Mongolian composers' orchestral works, and more importantly, I hope we can create more on the basis of protecting and inheriting our own national culture and art, make our own style, go out of our own way, make our national music art more specialized and internationalized.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614

【参考文献】