关于调性、基调性与调式性

发布时间：2018-03-31 18:46

本文选题：调性　切入点：基调性　出处：《河南大学》2002年硕士论文

【摘要】： 在音乐的发展进程中。调式与调性始终是贯穿其中，且是一个极其重要的方面，同时，它又是一个比较复杂的问题。尤其是从浪漫派后期以来，由于作曲技术的不断出新及作曲家对和声的色彩性、动力性、种种新颖效果、不同风格的追求。因此“调性”这一传统观念被逐渐打破。各种技法的运用多样、流派分呈。调性音乐逐渐向无调性音乐过渡。本文是以调式、调性的发展过程为出发点，从和声的角度对调性与调式性讲述一些个人的看法，并对从调性音乐至无调性音乐的发展进程中所包含的一类“基调性”现象进行一定的分析和研究。本文共分为三个部分：第一部分：叙述“调性”问题。主要是针对“调性”概念的两个方面进行说明。并由此提出“调性框架”与“调式框架”两个概念。当明确了这两个框架之后，则调性必然明朗。第二部分：主要分析了“基调性”现象。从调性音乐到无调性音乐的发展进程中，有许多的复杂现象。本文列举了十数个有代表性作实例以此分析“基调性”的现象，进而藉此说明“基调性”是调性音乐与无调性音乐之间的一片广阔的中间地带、一座过渡的“桥梁”，一种中间式的调式—调性现象。第三部分：是对“调式性”进行总结。调式的种类繁多，存在着民族、地域差异。而调式结构的差异，则必然有着不同的类别、色彩及特性。调式的这种类别、色彩、特性及差异，，统称做“调式性”。本文以七个欧洲中古调式为例，将其之间的差异，色彩及特性作出了详细的归纳、总结。以此说明这种现象不是偶然性的巧合，而是普遍存在的，反映着事物的一种内在规律性和组织性，因此是有其理论与实践的价值和意义的。
[Abstract]:In the development of music, mode and tonality are always running through them, and it is an extremely important aspect. At the same time, it is also a more complicated problem, especially since the later period of Romanticism. The traditional concept of "tonality" has been gradually broken because of the continuous development of composition techniques and the composer's pursuit of color, power, novel effects and different styles of harmony. Tonal music is gradually transitioning to anatonic music. This article is based on the development process of tonality and tonality. From the perspective of harmony, this paper tells some personal views on tonality and tonality. This paper also analyzes and studies a kind of "tone" phenomenon in the development process from tonality music to atonal music. This paper is divided into three parts:. The first part: narrates the problem of "tonality". It mainly explains two aspects of the concept of "tonality", and puts forward two concepts of "tonality frame" and "mode frame". Then the tonality is bound to be clear. The second part mainly analyzes the phenomenon of "tone". There are many complex phenomena in the process of development from tonality music to atonal music. This paper enumerates a dozen representative examples to analyze the phenomenon of "tone". Thus, "tone" is a broad middle zone between tonality music and atonal music, a bridge of transition, and a kind of intermediate mode-tonality phenomenon. The third part is to sum up the "tonality". There are many kinds of modes, there are national and regional differences, and the differences in mode structure must have different categories, colors and characteristics. The characteristics and differences, collectively called "tonality", are summed up in detail in this paper, taking seven middle European modes as examples, and the differences, colors and characteristics among them are summed up, so as to show that this phenomenon is not a coincidence of fortuitousness. It is universal and reflects an inherent regularity and organization of things, so it has the value and significance of theory and practice.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2002
【分类号】：J604

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