四部当代民族室内乐作品分析

发布时间：2018-04-06 22:00

本文选题：室内乐　切入点：结构　出处：《中央音乐学院》2011年硕士论文

【摘要】：《双阙》(谭盾创作于1984年)、《寂》(徐昌俊创作于1985年)、《玄黄》(唐建平创作于1994年)和《宁》(陈怡创作于2001年)是我国20世纪80年代至21世纪初,具有一定代表性的当代民族室内乐作品。本文从这四部作品的曲式结构及音高组织、和声、复调以及音色等方面进行综合分析与研究。试图通过其创作的手法和特点,展示当代民族室内乐发展的一个侧面。论文由四章构成：第一章为这四部作品曲式结构与音高组织的分析；第二章和第三章分别为其作品和声思维逻辑与复调手法上的分析；第四章为乐器编制及音响色彩上的分析。通过分析,我们可以看出这四部作品不仅有各自独特的风格利特点,同时又具有时代所赋予的创作共性。尤其是东、西方文化交融及传统与现代的交织等方面,在当代民族室内乐发展的进程中所体现出的价值与地位。
[Abstract]:"Shuangque" (written by Tan Dun in 1984, "Silence" (Xu Changjun in 1985), "Xuanhuang" (Tang Jianping in 1994) and "Ning" (in 2001) were written in China from the 1980s to the beginning of the 21st century.Some representative contemporary chamber music works.This paper makes a comprehensive analysis and research on the musical form structure, pitch organization, harmony, polyphony and timbre of the four works.This paper tries to show a side of the development of contemporary chamber music through its creative techniques and characteristics.The thesis is composed of four chapters: the first chapter is the analysis of the musical form structure and pitch organization of the four works; the second chapter and the third chapter are the analysis of the logic of harmony thinking and polyphonic technique respectively; the fourth chapter is the analysis of the musical instrument establishment and the sound color.Through analysis, we can see that the four works not only have their own unique characteristics of style and interest, but also have the creative commonness given by the times.Especially the blending of eastern and western cultures and the interweaving of tradition and modern, it embodies the value and status in the process of the development of contemporary national chamber music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J605

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