当前位置:主页 > 文艺论文 > 音乐理论论文 >

“乱云飞”中二黄主腔与柯湘主题之关系再研究

发布时间:2018-04-18 14:18

  本文选题:“乱云飞” + 二黄主腔 ; 参考:《中国音乐》2010年03期


【摘要】:"乱云飞"作为戏曲音乐创作中呈现的一种既继承传统,又别于传统的新创造的范例,在音乐创作的具体技术层面上,其中传统二黄主腔与新创柯湘主题之间有何具体的同异关系?特别是对于柯湘主题来说,创作者是如何设计其"既新颖独特、又联接传统"特征的?二黄主腔与柯湘主题之间的过渡或交融又是如何处理的?这些问题,都需要作进一步的具体分析。
[Abstract]:As a kind of inheriting tradition and different from the traditional new creation example, "chaos cloud fly" is presented in the traditional music creation, in the concrete technical level of the music creation,What are the specific similarities and differences between the traditional Erhuang main cavity and the newly created Kexiang theme?Especially for the theme of Ke Xiang, how did the creator design its "novel and unique, but also connected with the traditional" characteristics?How to deal with the transition or blending between the main cavity of the second Yellow River and the theme of Ke Xiang?All these problems need further concrete analysis.
【作者单位】: 华南师大音乐学院;内江市阳光学校;
【分类号】:J617.5


本文编号:1768722

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/musictheory/1768722.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户6f4ae***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com