当前位置:主页 > 文艺论文 > 音乐理论论文 >

电子音乐中的互动行为构架

发布时间:2018-05-02 04:32

  本文选题:电子音乐 + 计算机音乐 ; 参考:《南京航空航天大学》2012年硕士论文


【摘要】:本文是对目前流行的电子音乐现场呈现中互动方式的研究。由于这种音乐形式中的互动行为多以计算机软硬件技术和各种传感技术为依托,因此文中大量采用了计算机数字音频技术理论和交互式系统设计理论来分析和解释其音乐创作、设计和编程等问题。又由于这种音乐形式中的互动行为不仅是一种技术手段,而且也是一种艺术手法,这些手段和手法是用来表达艺术和体验审美的,因此本文还着重应用科学技术理论对音乐艺术现象和审美意图进行了较为深入的分析和研究。科学技术分析与艺术表达分析相结合,这应该是本文在研究方法方面的一个显著特点。此外,以科学技术角度的分析为依据,引申到对科技手段如何用来构成美的艺术形式、又如何用美的艺术形式体现其审美理想等问题的讨论,本文在这方面的论述思路,可以看做是解释科技与艺术之间关系的一种方法论思路。 文章从“电子音乐中互动行为的概念与实质”展开讨论,以求探明这种艺术行为的本质特征;由此引出本文研究的核心问题——“电子音乐创作中的互动行为构架设计”,探讨互动行为在创作、构思阶段如何被预设为一种程序构架的技术性原理、逻辑性安排和艺术性构想;接着对“电子音乐展示中的互动行为呈现方式”进行分类阐释,全面探讨电子音乐与各种互动对象之间的内在联系;然后通过对“作品《管弦乐队印象》实例分析”,较为细致、完整地描述了人-人互动和人-机互动及其技术细节和艺术手法如何在一首电子音乐作品中得以完美展现;最后以如何用技术来表现艺术为视角,讨论了“电子音乐互动行为的艺术表达和审美特征”问题,提出了“互动”是这种音乐形式的本质属性的观点,并认为“互动”不仅是这种音乐形式中一种音乐创作的方式,,也是一种音乐表达的方式,更是人们用来表现艺术旨趣的一种审美方式。 总之,本文所涉猎的研究对象以及研究中所采用的理论视角和研究方法,都是为了帮助人们进一步了解作为电子音乐中主流发展趋势的互动行为;启发人们理解这种互动行为给音乐艺术带来的新颖审美体验;进而为促进这种互动行为在更高层次上的创新而提供可资参考的理论启示。这正是本课题研究的意义和价值所在。
[Abstract]:This paper is a study of the current popular electronic music scene in the interactive way. Because the interactive behavior in this music form is mostly based on computer hardware and software technology and various sensing technologies, the theory of computer digital audio technology and interactive system design theory are used in this paper to analyze and explain its music creation. Design and programming issues. And because the interactive behavior in this musical form is not only a technical means, but also an artistic technique, which is used to express art and experience aesthetics, Therefore, this paper also focuses on the application of scientific and technical theory to the phenomenon and aesthetic intention of music and art for more in-depth analysis and research. The combination of scientific and technological analysis and artistic expression analysis should be a remarkable feature of this paper in terms of research methods. In addition, based on the analysis of science and technology, this paper extends the discussion of how the scientific and technological means are used to form the artistic form of beauty and how to embody its aesthetic ideal with the artistic form of beauty. It can be seen as a methodological way to explain the relationship between technology and art. This paper discusses the concept and essence of interactive behavior in electronic music, in order to find out the essential characteristics of this kind of artistic behavior, and leads to the core problem of this paper, namely, "the Design of Interactive behavior Framework in Electronic Music creation". This paper probes into the technical principle, logical arrangement and artistic conception of how interactive behavior is preset into a program framework in creation and conception stage, and then explains the "presentation mode of interactive behavior in electronic music exhibition". A comprehensive study of the internal relationship between electronic music and various objects of interaction, and then through the work "Orchestra impression" case analysis, more detailed, A complete description of how human-human interaction and human-machine interaction, as well as their technical details and artistic techniques, are perfectly represented in an electronic musical work; and finally, from the perspective of how to use technology to express art, This paper discusses the issue of "artistic expression and aesthetic characteristics of electronic music interaction", and puts forward the view that "interaction" is the essential attribute of this musical form, and holds that "interaction" is not only a form of music creation in this music form, It is also a way of expressing music, and it is also an aesthetic way for people to express their artistic purport. In a word, the research object of this paper, as well as the theoretical perspective and research methods used in the study, are all to help people understand the interactive behavior as the mainstream development trend of electronic music. It enlightens people to understand the new aesthetic experience brought by this kind of interactive behavior to music art, and then provides some theoretical enlightenment for promoting the innovation of this kind of interactive behavior on a higher level. This is the significance and value of this research.
【学位授予单位】:南京航空航天大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J611.1

【参考文献】

相关期刊论文 前10条

1 李鹏云;;电子音乐中的空间思维[J];黄钟(中国.武汉音乐学院学报);2006年04期

2 王次p

本文编号:1832374


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/musictheory/1832374.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户94946***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com