中国传统唱论的历史观照及其现实价值

发布时间：2018-05-31 19:25

本文选题：中国传统唱论 + 历史观照　；参考：《陕西师范大学》2004年硕士论文

【摘要】：本文以中国传统唱论作为研究对象，运用逻辑与历史相一致的方法和原则，从纵横两个方面对中国传统唱论的生成背景、历史发展、内涵及其现实价值进行了初步的研究。从横向看，作为中国文化的瑰宝，传统唱论受到其生成背景及发展阶段的影响，使得它自生具有多元化与包容性的特点。从纵向看，传统唱论是针对中国声乐艺术而研究的具体而又实用的理论。通过本文的研究工作，笔者认为，一方面可以使中国传统唱论能更多地得到世人的关注，另一方面也可以推进对中国传统唱论的研究。本论文分为两部分：第一部分论述传统唱论的生成背景及其发展阶段。本章从两个层面阐述了中国传统唱论的形成和发展状况。首先，中国传统唱论的生成背景从三个方面对传统唱论的生成和发展进行了探讨。第一，自然生存环境从两点阐述了中国传统唱论生成于以农业文明为基础的自然环境。(1) 农业生产孕育了具有浓厚自然风情的中国传统唱论。(2)“天人合一”的美学思想赋予中国传统唱论以自然为美，“渐进自然”的美学思想；第二、人文生存环境从三点论述中国传统唱论生成于一个多元化的文化氛围。(1) 太极图作为中国传统的图腾意识，它的多元化与包容性特点影响了传统唱论赖以生存的民歌、曲艺及戏曲三大音乐形式。(2)宗教文化以佛、道、儒为基础的多元化宗教格局，影响了传统唱论中的歌唱审美观。(3) 礼乐观念赋予中国唱论“发乎情，止乎礼义”的美学观。总之，多元化的人文生存环境成就了兼容并包的传统唱论；第三，学者主体从歌唱家与唱论的关系、政治历史背景对唱论的影响，阐述了中国传统唱论的承载群体表现为学者主体的特点，并带有文艺学色彩。其次，中国传统唱论的发展阶段从三个方面勾勒了传统唱论曲折、递进的发展历程。第一，唐宋前的唱论，唐宋前的唱论处于孕育期阶段，倾向于艺术形态和审美感知结果的描述，其论及范畴较广，且较为零散；第二，唐宋唱论，唐宋唱论处于崛起期阶段，其论及内容趋于科学和具体；第三，唐宋后的唱论，唐宋后至清代以前的唱论处于繁荣期阶段，不但对实践进行了总结，还借鉴了音韵学理论，规范演唱技巧，同时还针对不同音乐风格的品种需要，撰写论著。这时期的著作立论针对性强、具体化、实用性高。传统唱论的生成背景及其发展阶段孕育了博大精深的唱论艺术，它是我们客观认识传统唱论原貌及其现实价值的基础。第二部分论述中国传统唱论的内涵及其现实价值。这一部分从四个方面研究了传统唱论的歌唱语言、润腔、呼吸、曲情意蕴的内涵及其现实价值。第一，关于歌唱语言，从“五音”、“四呼”和歌唱的字声相谐两方面结合现代声乐艺术，论证了传统唱论是实事求是的理论，是声乐艺术进入歌唱完美境界的奠基石。它从实际出发总结出地适合歌唱语言的理论，揭示了歌唱吐字发音的奥秘，在一定程度上调和了“字正”“腔圆”的矛盾，并为我们诊释作品内涵、表情达意奠定了基础;第二，关于歌唱润腔，从传统声乐艺术中的润腔和“寻声依调”’与“循声转腔”两方面结合现代声乐艺术，论证了“润腔”是语言的升华，是我国声乐艺术独特的演唱风格。“润腔”艺术从语言声调出发，协调“字”、“声”矛盾，成就了 “字正腔圆”的润腔风格，塑造出鲜明的音乐形象，是增强和丰富我国声乐艺术的表现力和感染力的重要构成要素;第三，关于歌唱呼吸，从“善歌者，必先调其气”和以情带气两方面，论述了传统唱论的特点及其在现代声乐艺术中现实价值。“善歌者，必先调其气”从“丹田气”的运气法、“气”与歌唱诸因素的关系，阐述了它与生理解剖学的联系，，从而论证了它的科学性，及其在发展中国现代声乐艺术的可参考价值;以情带气，从“以情带气，气形于声”、“以情带气，气形于言”阐明了歌唱情感依附于气息，及其对现代声乐艺术的指导意义;第四，关于曲情意蕴，从“解明曲情，意情相谐”、“技法得款，尤以情重”两方面结合现代声乐作品，论述了传统唱论歌唱情感的表达不仅需要解明歌曲的文词意蕴，还需要合理的运用技巧。因此提高歌者的综合素养，是客观而深入的诊释作品，表达感情的重要因素。传统唱论关于歌唱、润腔、呼吸、曲情意蕴的内涵，不仅引导了古代声乐艺术的发展，而且对于现代的声乐艺术的发展具有积极的指导意义。
[Abstract]:This paper, taking Chinese traditional singing theory as the research object, uses the methods and principles consistent with history and history, makes a preliminary study on the generation background, historical development, connotation and practical value of Chinese traditional singing theory from two aspects and horizontally. From the horizontal perspective, as a gem of Chinese literary creation, the traditional singing theory is subjected to its generation background and development. The influence of the stage makes it pluralistic and inclusive. From the longitudinal perspective, the traditional singing theory is a concrete and practical theory to study Chinese vocal music. Through this study, the author thinks that, on the one hand, Chinese traditional singing theory can get more attention from the world, on the other hand, it can also be promoted. The study of Chinese traditional singing theory.
This paper is divided into two parts:
The first part discusses the background and development stages of traditional singing theory. This chapter expounds the formation and development of Chinese traditional singing theory from two levels.
First, the generation and development of traditional singing theory are discussed from three aspects. First, the natural living environment expounds the natural environment of Chinese traditional singing on the basis of agricultural civilization. (1) agricultural production has bred a Chinese traditional singing theory with a thick and natural atmosphere. (2) "heaven man". The aesthetic thought of "unity" endows Chinese traditional singing with the aesthetics of nature as beauty and "gradual nature"; second, the human living environment discusses the Chinese traditional singing theory from three points to a pluralistic cultural atmosphere. (1) Tai Chi as a totem of Chinese tradition, its diversity and inclusiveness influence the traditional singing theory. The folk songs on which they live, the three musical forms of music and opera. (2) the religious and cultural diversity based on Buddhism, Tao and Confucianism, affecting the aesthetic view of singing in the traditional singing theory. (3) the concept of rite and music endows China with the aesthetic view of "feeling of feeling, stopping the sense of etiquette and meaning". The traditional theory of singing; third, the subject of the scholar, from the relationship between the singer and the singing theory, the influence of the political and historical background to the theory of singing, expounds the characteristics of the carrying group of Chinese traditional singing theory as the subject of the scholar, with the color of literature and art.
Secondly, the development stage of Chinese traditional singing theory outlines the twists and turns of traditional singing theory in three aspects. First, the singing theory before the Tang and Song Dynasties, the singing theory before the Tang and Song Dynasties is in the stage of pregnancy, which tends to the description of the artistic form and aesthetic perception result, and its category is wider and more scattered; second, Tang and song singing theory, the Tang and song singing points In the stage of rising, its content tends to be scientific and concrete; third, the singing theory after the Tang and Song Dynasties, from the Tang and Song Dynasties to the Qing Dynasty is in the stage of prosperity, not only to summarize the practice, but also to draw lessons from the theory of phonology, to standardize the singing skills, and to write a book on the needs of the varieties of different musical styles. It is highly pertinent, specific and practical.
The background and stage of development of traditional singing theory have produced a profound and profound art of singing. It is our objective.
Recognize the foundation of traditional singing and its realistic value.
The second part discusses the connotation and realistic value of Chinese traditional singing theory, which is studied from four aspects.
The connotation and practical value of traditional singing theory, such as singing language, moistening cavity, breathing, and emotional implication.
From the two aspects of "five tones", "four calls" and the harmony of words in singing, the singing language combines modern vocal art.
The traditional singing theory is the theory of seeking truth from facts. It is the cornerstone of vocal music entering the perfect realm of singing.
In fact, it summarizes the theory of singing suitable for singing, and reveals the mystery of singing pronunciation.
The contradiction between the word "Zheng" and "the circle of the circle" is raised, which lays the foundation for us to interpret the connotation of the works and express their feelings.
Second, about singing tune cavity, from traditional vocal music art to "moistening cavity" and "seeking sounds according to tune" and "follow the sound".
The two aspects, combining modern vocal art, demonstrate that "moistening cavity" is the sublimation of language and the vocal music art of our country.
The unique singing style, "run cavity" art, starts from the tone of language, harmonizing the contradiction between "word" and "sound".
The style of "tune up" is a vivid musical image, which is to enhance and enrich our vocal music art.
Expressive force and important component of infectivity; third, about singing breathing, from "good singer", we must first tune.
Two aspects of "Qi" and "emotion" are introduced, and the characteristics of traditional singing theory and its realistic price in modern vocal art are discussed.
"Good singer must first adjust his Qi" from the "Dan Tian Qi" luck method, "Qi" and the relationship between singing factors.
This paper expounds its connection with physiological anatomy, and proves its scientificity and its development in modern Chinese voice.
The value of music art can be referenced; with emotion and breath, from "emotion to Qi, and Qi to sound", "with emotion and Qi, Qi".
"Form to speech" clarifies that singing emotion is attached to the breath and its guiding significance to modern vocal music art; fourth,
About the meaning of music, it combines the following two aspects: "clarify the emotion of the song, harmonizing the meaning and feeling", "get the money from the technique, especially the emotion".
In modern vocal music works, the expression of emotional expression in traditional singing theory is not only required to clarify the implication of songs.
It is also necessary to use reasonable skills. Therefore, improving the comprehensive quality of the singer is an objective and in-depth interpretation of the work.
The important factor of expressing feelings is the connotation of traditional singing theory about singing, moistening cavity, breathing, and emotional implication.
It has led the development of ancient vocal music, and has positive guidance for the development of modern vocal music.
Righteousness.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2

【引证文献】