当前位置:主页 > 文艺论文 > 音乐理论论文 >

“草原音乐文化”内涵界定的方法论思考

发布时间:2018-06-01 01:26

  本文选题:草原文化 + 音乐文化 ; 参考:《音乐创作》2014年06期


【摘要】:"草原音乐文化"概念是研究草原音乐文化之母。目前,学界尽管对草原文化及草原音乐文化的研究达到了一定的规模和层次,但对"草原音乐文化"概念的内涵至今尚缺乏比较令人满意的界定。本文为了明确界定"草原音乐文化"内涵,以文献、比较和借鉴的方法,提出了界定"草原音乐文化"中,核心问题的明确是前提、相关概念的辨析是基础、草原文化概念的借鉴是切入点的论断。
[Abstract]:The concept of "grassland music culture" is the mother of the study of grassland music culture. At present, although the research on grassland culture and grassland music culture has reached a certain scale and level, the connotation of the concept of "grassland music culture" is still lack of satisfactory definition. In order to clearly define the connotation of "grassland music culture", this paper, by means of literature, comparison and reference, puts forward that in defining "grassland music culture", the core problem is the premise, and the discrimination of related concepts is the basis. The reference to the concept of grassland culture is the judgment of the breakthrough point.
【作者单位】: 内蒙古大学艺术学院音乐系;
【分类号】:J607

【共引文献】

相关期刊论文 前10条

1 杨居t,

本文编号:1962302


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/musictheory/1962302.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户3eb1b***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com