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试论如何把握中国钢琴作品的民族风格

发布时间:2018-06-01 06:31

  本文选题:中国钢琴改编曲 + 民族风格 ; 参考:《天津音乐学院》2004年硕士论文


【摘要】: 中国钢琴改编曲在中国钢琴作品中占有重要地位,它以其浓郁的民族风格深受人们的喜爱。围绕中国钢琴作品的演奏,如何从多方面吸取民族音乐的精华,如何发挥钢琴自身的优势,克服其自身的劣势,如何借鉴吸收民族乐器的演奏技法,是本文所要论述的主要问题。 本文以作者自身的演奏体会作为基础,在实现钢琴演奏与中国民族音乐风格的统一方面发表了初步见解。论文主要以五首传统器乐改编的钢琴曲为例,结合对中国民族器乐演奏技法的初步探索,结合对哲学、诗歌、绘画、书法等相关学科的了解,结合对中国民族音乐风格以及中国古典文化背景的研究,并与西方音乐及文化进行分析比较来阐述中国钢琴作品的民族特色。具体来说,,本文在标题性、结构、声韵、气韵、旋律、节奏、音色、民族器乐与中国钢琴曲八个方面进行了详细的阐述,并逐一分析论证,从不同侧面、不同角度加以说明。希望便于演奏者在学习、演奏此类作品时广开思路,由感性认识上升为理性认识,尽可能地挖掘中国音乐作品的艺术魅力,更准确地把握中国钢琴作品的民族风格。
[Abstract]:Chinese piano adaptation plays an important role in Chinese piano works, and it is loved by people for its strong national style. Around the performance of Chinese piano works, how to absorb the essence of national music from many aspects, how to bring into play the advantages of the piano itself, how to overcome its own disadvantages, how to draw lessons from the playing techniques of national musical instruments, It is the main problem to be discussed in this paper. Based on the author's own performance experience, this paper gives some preliminary opinions on the unification of piano playing and Chinese folk music style. This paper mainly takes five pieces of piano music adapted from traditional instrumental music as an example, combined with the preliminary exploration of the Chinese national instrumental music playing techniques, combined with the understanding of philosophy, poetry, painting, calligraphy and other related disciplines. Based on the study of Chinese folk music style and the background of Chinese classical culture, this paper analyzes and compares with western music and culture to expound the national characteristics of Chinese piano works. Specifically, this article in title, structure, rhyme, charm, melody, rhythm, timbre, national instrumental music and Chinese piano music eight aspects of detailed elaboration, and one by one analysis and demonstration, from different sides, different angles to explain. It is hoped that it will be convenient for players to learn and play such works in a broad way of thinking, from perceptual to rational, to tap the artistic charm of Chinese musical works as far as possible, and to grasp more accurately the national style of Chinese piano works.
【学位授予单位】:天津音乐学院
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J624.1

【引证文献】

相关期刊论文 前2条

1 刘芳艺;;钢琴作品的民族风格探析[J];文教资料;2010年22期

2 薛庆;;论四首中国现代钢琴作品的情景交融——以《峨嵋晚钟》等组曲为例[J];音乐创作;2012年11期

相关硕士学位论文 前3条

1 赵s钣

本文编号:1963200


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