关于钢琴指法艺术的历史探索

发布时间：2018-06-08 14:48

本文选题：指法 + 钢琴演奏　；参考：《星海音乐学院学报》2010年01期

【摘要】：在16-17世纪古钢琴时代,键盘指法艺术水平还停留在大拇指尚未得到彻底解放的阶段。真正将拇指彻底解放出来的是C.P.E.巴赫的《论键盘乐器演奏艺术》,为钢琴艺术史首次建立了一套完整的有关钢琴演奏的理论体系。19世纪以后,音阶、琶音、半音阶等已形成惯有的一套演奏方法,但早期指法仍然在肖邦、李斯特等作曲家的作品中复返。探索钢琴指法艺术的历史可见,最初的"越指"是为了避免拇指和小指的使用,是时代审美观和乐器发展的局限;而19世纪以后的"越指"则是作曲家对技巧和音乐表达提出的更高的要求。
[Abstract]:In the 16-17 th century ancient piano age, the art level of keyboard fingering was still in the stage that thumbs had not been completely liberated. What really frees the thumb is C.P.E. Bach's "on the Art of playing Keyboard", for the first time in the history of piano art, a complete theoretical system of piano performance was established. After the 19th century, scales, arpeggios, and semitones have formed a set of usual playing methods. But early fingering is still in the works of Chopin, Liszt and other composers. In order to avoid the use of thumb and pinky, it is the limitation of the development of aesthetic and musical instruments to explore the history of piano pointing art. After the 19 th century, Yuejiu is a higher demand for skill and musical expression.
【作者单位】：上海师范大学音乐学院;
【分类号】：J624.1

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