论20世纪30～40年代中国合唱音乐

发布时间：2018-06-08 15:59

本文选题：20世纪 + 40年代　；参考：《西南师范大学》2001年硕士论文

【摘要】： 合唱音乐这种形式是20世纪前后，随着西方资本主义国家在政治、经济、军事、文化等各方面大肆入侵中国而传入的。清末民初，中国产生了第一首以西洋作曲技法创作的中国合唱音乐作品。自此，中国合唱音乐创作开始了缓慢的发展。中国合唱音乐的创作是西方复音音乐文化进入中国、与中国音乐文化融汇的开端。到20世纪30～40年代，由于中国社会音乐活动的蓬勃兴起、中国专业音乐教育的发展以及时代精神的召唤，中国合唱音乐创作进入了一个空前繁荣的新阶段。作品的题材范围、思想性、艺术性等都有了一个质的变化。本文考察了“合唱音乐”这种西方音乐文化形式在中国的产生与发展过程，并分析、研究了20 世纪30～40年代中国合唱音乐作品的一般性形态特征。全文共分两个部分。第一部分主要从“中国合唱音乐的产生”、“中国合唱音乐的发展”以及“合唱音乐创作队伍的形成与发展”三方面考察了合唱音乐这种西洋音乐形式传入中国后，在中国的发展历程；论文的第二部分“20世纪30～40 年代中国合唱音乐作品的创作思想”、“作品的题材内容”、“作品的音乐特征”三方面重点分析了20世纪30～40年代中国合唱音乐作品的一般形态特征。该时期的合唱音乐作品首先是在风起云涌的抗日战争中诞生的，其创作的主旨是让新音乐“作为争取大众解放的武器，表现、反映大众生活、思想、情感的一种手段，更担负起唤醒、教育、组织大众的使命……”（吕骥）。实际创作中，在“为艺术而艺术”观点下产生的作品也不乏其例；创作技法方面，“全盘西化”与“取彼之长，，补己之短……学西洋好的音乐方法……产生民族化新音乐”（黄自）的观点体现非常明显。 20世纪30～40年代的中国合唱音乐创作实践表明：时代性、思想性与艺术性是作品的灵魂，是作品具有生命力的根本保证。作为社会文化的反映与代表，优秀艺术作品的另一重要要素是具有鲜明的民族性。
[Abstract]:The form of choral music was introduced in the 20th century with the invasion of China by western capitalist countries in politics, economy, military, culture and so on. In the late Qing Dynasty and early Republic of China, China produced its first Chinese choral music composed by Western foreign composition techniques. Since then, Chinese choral music creation has begun a slow exhibition. The creation of Chinese chorus music is the beginning of western polyphonic music culture entering into China and merging with Chinese music culture. By the 1930s and 1940s, due to the vigorous rise of social music activities in China, the development of professional music education in China and the call of the spirit of the times, Chinese choral music creation entered a new stage of unprecedented prosperity. There has been a qualitative change in the scope of the subject matter, ideological content, artistry, etc. This paper examines the emergence and development of "choral music" in China, and analyzes the general morphological features of Chinese choral music works in the 1930s and 1940s. The full text is divided into two parts. The first part mainly examines the formation and development of choral music, the development of Chinese choral music and the formation and development of choral music team, after the introduction of choral music into China. The second part of the thesis is "the Creative thought of Chinese Chorus Music works in the 1930s and 1940s", "the subject matter of the works", The musical features of works are analyzed in three aspects: the general morphological features of Chinese choral music works in the 1930s and 1940s. The choral music of this period was first born in the surging War of Resistance against Japan. The main purpose of its creation was to make the new music "as a weapon for the liberation of the masses, to express and reflect the life and thought of the masses." A means of emotion, but also assume the mission of arousal, education, and organization of the public. " Lv Ji. In practical creation, the works produced under the viewpoint of "art for the sake of art" are not lack of examples; in terms of creative techniques, "total westernization" and "taking advantage of others" make up for their shortcomings. Learn a good musical method from the West. The point of view of producing nationalized new music (Huang Zi) is very obvious. The practice of Chinese chorus music creation in the 1930s and 1940s shows that the times, thought and art are the soul of the works. It is the fundamental guarantee that works have vitality. As a reflection and representative of social culture, another important element of excellent works of art is its distinct nationality.
【学位授予单位】：西南师范大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J642.53

【引证文献】