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现代筝乐的创新表现及相关思考

发布时间:2018-06-14 14:36

  本文选题:现代筝乐 + 创新 ; 参考:《江西师范大学》2012年硕士论文


【摘要】:发展是一个沿革的过程,“沿”即沿袭、继承,“革”即变革、发展。筝乐艺术的发展也是一个不断沿袭、变革的发展过程。自八十年代以来,现代筝乐进入一个全新的发展阶段,它为传统筝乐的继承与发展带来新的视角,如何既要继承传统筝乐又改革创新,使我国现代筝乐艺术更加完美,是我们这一代古筝音乐工作者应尽的责任。 本文共分为四个部分进行论述。第一章,通过对传统筝派的形成及风格的介绍,让读者对传统古筝艺术的发展有个初步的了解。第二章,从传统筝曲的题材特征、曲式结构、定弦调式音阶和演奏技法四个方面对传统筝乐进行论述。第三章,论述的是现代筝乐的创新点,为本文的重点,一方面从现代筝乐的创作背景、创作主体多元化、创作题材多样化、创新观念的不断更新四个方面进行宏观论述,另一方面从现代筝乐作品曲式结构、调式音阶、演奏技法、和声布局、音色音响、节奏、演奏形式七个方面有别于传统筝乐表现手法作具体论述。第四章,针对现代筝乐创新引发的思考:一方面,现代筝乐的创新要与审美取得平衡,认清二者之间辩证统一的关系;另一方面,在当今筝乐艺术主要以学院派为中心进行专业化教育,而学院派逐渐西化,从而忽略了传统筝派各派筝曲风格的演绎,传统筝乐发展道路越来越窄,因此,发展各地传统筝派的意义何在,今后如何发展等问题,应引起我们足够的重视。
[Abstract]:Development is a process of evolution, "along" that is, inheritance, "revolution" is change, development. The development of Zheng music art is also a process of continuous succession and reform. Since the 1980s, modern Zheng music has entered a new stage of development, which brings a new angle of view for the inheritance and development of traditional Zheng music. How to inherit the traditional Zheng music as well as reform and innovate, so as to make the art of modern Zheng music more perfect in our country. It is the duty of our generation of zither musicians. This article is divided into four parts to discuss. The first chapter, through the formation and style of the traditional Zheng school, let readers have a preliminary understanding of the development of traditional Zheng art. The second chapter discusses the traditional Zheng music from four aspects: the theme characteristics, the structure of the music, the scale of the fixed string and the playing techniques. The third chapter discusses the innovation of modern Zheng music, which is the focus of this paper. On the one hand, it discusses from four aspects: the background of modern Zheng music, the diversification of creative subjects, and the constant renewal of innovative ideas. On the other hand, it is different from the traditional Zheng music in seven aspects, such as the structure of modern Zheng music, the scale of tone, the technique of playing, the layout of harmony, the tone and sound, the rhythm and the form of performance. The fourth chapter, in view of the modern Zheng music innovation causes the ponder: on the one hand, the modern Zheng music innovation must obtain the balance with the esthetics, clearly recognizes the dialectical unity relations between the two; on the other hand, Nowadays, the art of Zheng music mainly focuses on the academic-oriented specialized education, and the academicians gradually westernize, thus neglecting the deduction of the traditional Zheng music styles, and the traditional Zheng music development road is getting narrower and narrower. What is the significance of developing the traditional Zheng school and how to develop in the future should be paid enough attention to.
【学位授予单位】:江西师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J632.32

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