论瓦格纳乐剧《尼伯龙根的指环》的思想寓意

发布时间：2018-06-14 15:05

本文选题：瓦格纳 + 尼伯龙根的指环　；参考：《上海音乐学院》2004年博士论文

【摘要】：本论文旨在研究瓦格纳乐剧《尼伯龙根的指环》(以下简称《指环》)的思想寓意。论文以音乐动机和脚本的分析为切入点，结合瓦格纳对社会、对人生、对音乐艺术的看法，从剧中反映的六个主题进行研究： 1．指环，即金钱的象征，是剧中引发矛盾的根源。它无形地影响和制约着世界中的一切行为，也象征了现实社会中最本质的核心：一个所有关系都紧紧围绕着金钱而展开的社会。 2．矛，即权力的象征。与指环一样也是剧中引发矛盾的另一个重要的主题。矛所代表的是法律和契约为基础的权力。这种权力所象征的是旧世界向新世界迈进过程中，逐步没落的权力，并且与指环代表的经济集权产生纠葛。 3．剑，即英雄的象征。是瓦格纳在剧中赋予英雄力量的指代物。它与指环、矛所不同的是，它是新生力量的代表。英雄借助于剑所赋予的强大力量，与世界中的腐朽势力抗争，肩负着改造旧世界，创造新世界的重托。 4．爱情，作为人类情感的一种重要体现，在剧中呈现出多种形式。权力和金钱的矛盾在摧残人性的同时又摧残了爱情。然而在这当中，英雄之间纯洁的爱却最终超越了旧世界的束缚，赞颂了自由人性的回归，并成为拯救世界的力量。 5．反叛，是旧世界向新世界转化的途径。在剧中，它表现在对神权的反叛，对旧世约法的抗争以及对自由的向往。对旧世的反叛，最终是通过具有巴枯宁式的自由意志的英雄来完成的。 6。死亡，作为剧中权钱争夺的终结，是最能发人深思的一个主题，也是瓦格纳世界观的归宿。这里阐述的死亡并不是简单的消亡，也不意味着社会的终结和历史的停滞。死恰恰是对更高的生存方式的一种肯定，是将现实罪恶转变成对彼岸幸福的追求。在剧中，，旧世界是在水和火的席卷中毁灭的，新世界也同样是在水和火的洗礼中诞生的。在对六个主题研究后，论文得出的结论是：在经济社会下，权力与金钱是矛盾冲突的根源，爱情是权钱利用的手段，反叛是对旧俗观念的抗争，死亡是权钱争夺的终结，而最终将罪恶推向死亡的则是英雄，英雄是旧世界的掘墓人，新世纪的迎宾者。这六个主题的归纳论述和其结论是本论文对《指环》研究的独创性成果。在研究中，本文运用了传记式批评方法、社会学批评方法以及新批评方法，对《指环》进行从内部到外部、从神话内容到现实寓意进行研究，挖掘了在这部乐剧中涉及的有关人生、社会、哲学，伦理等方面思想内涵。
[Abstract]:The purpose of this thesis is to study the ideological implication of Wagner's play "the Ring of Nieborough" (hereinafter referred to as "Ring of Rings"). Based on the analysis of musical motivation and script, the thesis combines Wagner's views on society, life and music art. The ring, the symbol of money, is the root cause of contradiction in the play. It intangibly affects and governs all behavior in the world, It also symbolizes the most essential core of real society: a society in which all relationships revolve around money. 2. Spear, the symbol of power. Like the ring, it is another important theme in the play that leads to conflict. Spears represent power based on law and contract. This power symbolizes the declining power of the old world as it moves towards the new world, and its conflicts with the economic centralization represented by the ring. The symbol of the hero. It was Wagner's reference to the hero's power in the play. Unlike the ring and spear, it represents the Forces nouvelles. With the help of the sword, the hero fought against the decadent forces in the world, shouldering the great trust of transforming the old world and creating a new world. 4. Love, As an important embodiment of human emotion, there are many forms in the play. The contradiction between power and money destroys human nature and love at the same time. But in the midst of this, the pure love between heroes finally transcends the bondage of the old world, celebrates the return of free human nature, and becomes the force to save the world. It is the way the old world transforms into the new world. In the play, it is manifested in the rebellion against theocracy, the struggle against the Old Testament and the yearning for freedom. The rebellion against the Old World was ultimately accomplished by a Bakunin hero of free will. 6. Death, as the end of the fight for power and money, is the most thought-provoking theme and the end-result of Wagner's worldview. The death described here is not a simple extinction, nor does it mean the end of society and the stagnation of history. Death is an affirmation of a higher way of life, a transformation of reality into the pursuit of happiness on the other side. In the play, the old world is destroyed by water and fire, and the new world is born by the baptism of water and fire. After studying the six themes, the paper concludes that power and money are the root of contradiction and conflict in economic society, love is the means of using power and money, rebellion is the struggle against the old popular idea, death is the end of power and money competition. The hero is the grave digger of the old world and the welcome of the new century. The conclusion and induction of these six topics are the originality of the research on the Ring in this paper. In the research, this paper uses biographical criticism, sociological criticism and new critical methods to study the Ring from inside to outside, from mythical content to realistic meaning. It excavates the connotation of life, society, philosophy, ethics and so on.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2004
【分类号】：J609.5;J83

【引证文献】