十九世纪德法艺术歌曲审美及比较
发布时间:2018-06-16 16:28
本文选题:艺术歌曲 + 德国艺术歌曲 ; 参考:《首都师范大学》2002年硕士论文
【摘要】: 艺术歌曲是音乐艺术中重要的音乐体裁,是集艺术性、抒情性、文学性为一体的声乐形式。尤其是19世纪的德法艺术歌曲,曾掀起了欧洲艺术歌曲的两次高潮,是艺术歌曲中的两支奇葩,,人类艺术宝库中的瑰宝,更是声乐数学中不可缺少的教学内容。所以,熟悉了解德法艺术歌曲的发展及其风格对提高歌唱者的艺术修养、演唱水平无疑起着举足轻重的作用。 本文针对19世纪上半叶的德国艺术歌曲和19世纪下半叶的法国艺术歌曲,通过对其发展背景、代表人物及他们的作品进行审美分析和比较,探析了两个时间段中,德法艺术歌曲诗与音乐水乳交融的魅力所在及两国艺术歌曲在发展和风格上的差异。由此从历时性与共时性两方面对两国艺术歌曲有更深、更广的认识,以便能够更好、更准确的把握作品的风格,给予诗歌更好的诠释,真正体现出艺术歌曲的真谛,促进声乐教学及演唱。 全文共分三部分,第一部分介绍了艺术歌曲及其发展概况;第二部分通过代表人物及其作品对19世纪上半叶的德国艺术歌曲和19世纪下半叶的法国艺术歌曲进行审美分析;第三部分则从时代背景、诗乐的完美结合、语言特征、民族性、演唱风格等五个方面进行了差异性比较。
[Abstract]:The art song is the important music genre in the music art, is the vocal music form which gathers the art, the lyricism, the literature as a whole. In particular, the German and French art songs of the 19th century, which have set off two climaxes of European art songs, are two wonderful flowers in art songs, the treasures of human art treasure-house, and the indispensable teaching contents in vocal music mathematics. Therefore, familiarity with the development and style of German and French art songs plays an important role in improving the artist's artistic accomplishment and singing level. This article aims at the German art songs of the first half of the 19th century and the French art songs of the second half of the 19th century, through the aesthetic analysis and comparison of the development background, the representative characters and their works, and analyzes the two periods of time. The charm of German and French art song poetry and music and the differences in development and style between the two countries. From both diachronic and synchronic aspects, there is a deeper and broader understanding of the art songs of the two countries, so that they can better and more accurately grasp the style of the works, give better interpretation to the poems, and truly reflect the true meaning of the art songs. Promote vocal music teaching and singing. The first part introduces the art songs and their development, the second part analyzes the German art songs in the first half of the 19th century and the French art songs in the second half of the 19th century through the representative figures and their works. The third part compares the differences from five aspects: the background of the times, the perfect combination of poetry and music, language characteristics, nationality and singing style.
【学位授予单位】:首都师范大学
【学位级别】:硕士
【学位授予年份】:2002
【分类号】:J605
【引证文献】
相关博士学位论文 前1条
1 贾佳;用两种声音阐述一段人生[D];华东师范大学;2012年
相关硕士学位论文 前6条
1 赵亚男;十九世纪德法意艺术歌曲之比较研究[D];山东师范大学;2012年
2 赵宁;贝多芬艺术歌曲研究[D];南京艺术学院;2007年
3 陈思;舒伯特《冬之旅》与舒曼《诗人之恋》钢琴伴奏的比较与研究[D];江西师范大学;2008年
4 胡菲;胡戈·沃尔夫《莫里克歌曲集》之探究[D];江西师范大学;2008年
5 孔群;浅析福雷艺术歌曲钢琴伴奏的表现功能及对演唱的意义[D];福建师范大学;2008年
6 周欣;融合与变迁:内蒙古地区艺术歌曲探析[D];内蒙古师范大学;2010年
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