本特松十五首二部创意曲研究

发布时间：2018-06-21 11:24

本文选题：本特松 + 创意曲　；参考：《山东师范大学》2001年硕士论文

【摘要】： 尼尔斯·维戈·本特松（1919——2000年）是二十世纪丹麦著名的作曲家、钢琴家和音乐评论家。他一生中创作了大量的音乐作品，作品中精湛的创作技艺以及极富创造性和表现力的特点，使他在丹麦乐坛中叱咤风云、独树一帜，享有极高的声誉。在这篇论文中，笔者对本特松的一部复调音乐作品——十五首二部创意曲（op.157）进行了全面的分析和研究。复调音乐自9世纪末出现以来，得到了持续高度的发展，并受到各时代作曲家的青睐。创意曲是复调音乐的体裁之一，它是一种小型的复调乐曲。早在巴洛克时期，伟大的德国作曲家巴赫首次创作出十五首二部创意曲，为复调音乐的进一步发展，起到了不可磨灭的伟大功绩。二百多年以后，到了二十世纪的今天，本特松再一次谱写出十五首二部创意曲。它是一部运用二十世纪音乐语言的全新的创意曲，是对创意曲这种古老的音乐体裁的重新诠释。在这篇论文中，笔者通过对作品本体的详细分析，对复调音乐在二十世纪的复兴；二十世纪复调音乐较传统复调音乐的创新特征；作品中体现出的个性特征等都作出了系统、明确的概括。并运用社会学和美学的观点从更深层面上对作品产生的文化背景和意义加以剖析。论文共分为前言、正文及结语三个部分。在前言中，笔者主要介绍了论文的研究目的及有关资料的收集方法。正文包括四个部分，第一部分对创意曲的由来及特点、本特松的生平与创作进行介绍；第二部分是对十五首创意曲的本体分析，包括对作品结构、对位、调性等的研究，并将其按照主题、写作类型和对位技术的不同进行归类。在第三部分中，笔者对作品中所蕴涵的风格特点以及创新特点作以具体剖析，，包括以下几个方面：复调音乐在二十世纪复兴的意义；作品中体现出的新古典主义特征；作品中所体现的二十世纪复调音乐的总体特征及其个性特征，这些创新主要为基本技法（不协和对位、多调叠置和模仿技术）的扩展、节奏源泉的扩展（多变节拍）及和声与调性的演变发展（古典调性的扩展与解体、音阶材料的扩展）这三个要点。第四部分是对作品的社会学和美学评价，阐述二十世纪音乐艺术发展的总趋势。包括：二十世纪音乐的社会根源；二十世纪音乐与文学、美术的联系及其具体表现（悲观失望的情绪、暴露批判的精神）。最后是结语部分，总体评述本特松这十五首二部创意曲。创意曲是一种古老的体裁，现代作曲家运用色彩斑斓的现代音乐创作手法，使其展现出新的音响效果，新的内容涵义，从而反映出了随着时代的进步，古老体裁并不会被历史的长河所湮灭，相反越来越受到现代人的青睐。而本特松无疑在推动音乐的发展，宏扬世界音乐文化方面写下了宝贵的一笔。
[Abstract]:Niels Viggo Bengtsson (1919 - 2000) was in Denmark in twentieth Century.
A famous composer, pianist and music critic. He wrote a lot of music in his life.
His superb creative skills and creative and expressive features make him in Denmark.
The music world is unique and enjoys a high reputation.
Bengtsson's fifteen polyphonic music works, op.157, two.
Comprehensive analysis and research.
Since the end of the ninth Century, polyphony has been highly developed and accepted.
To the composers of all ages. Creative music is one of the genres of polyphonic music.
The polyphonic music of the style. As early as the Baroque period, the great German composer Bach wrote for the first time.
The fifteen two creative songs played an indelible great role in the further development of polyphony.
More than 200 years later, on twentieth Century, Bengtsson wrote again.
The fifteen two creative songs. It is a new idea of using the twentieth Century music language.
Qu is a reinterpretation of the ancient music genre of creative music.
In this thesis, the author makes a detailed analysis of the noumenon of the works and polyphonic music.
The revival in twentieth Century; the innovative features of twentieth Century polyphony compared with traditional polyphony.
The personality characteristics reflected in the works are systematically and clearly summarized.
From the perspective of learning and aesthetics, the cultural background and significance of works are further analyzed.
Analysis.
The thesis is divided into three parts: preface, main body and conclusion.
The purpose of the paper and the method of collecting relevant data are introduced. The main body consists of four parts.
The first part introduces the origin and characteristics of the creative music, and introduces Bengtsson's life and creation.
The two part is the ontological analysis of the fifteen creative songs, including the structure, counterpoint and tonality of the works.
And so on, and classify them according to themes, writing types and counterpoint techniques.
In the third part, the author makes a stylistic feature and innovative features in his works.
The body analysis includes the following aspects: the significance of Polyphony in the twentieth Century revival; works
The neoclassical features reflected in the works; the total of twentieth Century polyphonic music reflected in the work.
Body characteristics and personality characteristics, these innovations are mainly basic skills (discordant counterpoint, multi tone).
The expansion of overlay and imitation techniques, the expansion of rhythm sources, and the harmony and tone.
The three developments of sexual evolution (the expansion and disintegration of classical tonality, the expansion of scale material).
The fourth part is the sociological and aesthetic evaluation of the works, and expounds the twentieth Century music art.
The general trend of development includes: the social roots of music in the twentieth Century; music and literature in twentieth Century.
The link between art and art and its concrete manifestation (pessimism, and the spirit of exposing criticism).
The last part is the concluding part, which gives a general comment on Bengtsson's fifteen two creative songs.
Creative music is an ancient genre. Modern composers use colorful modern music.
The creative way of music makes it show the new sound effect and new content meaning.
With the progress of the times, the ancient genres will not be annihilated by the long river of history.
More and more favored by modern people, and Bengtsson is undoubtedly promoting the development of music and promoting the world's voice.
The music culture has written a valuable note.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J614.3

【共引文献】