江文也钢琴套曲《北京万华集》Op.22的音乐与演奏分析

发布时间：2018-06-22 11:27

本文选题：江文也 + 风格转变　；参考：《东北师范大学》2011年硕士论文

【摘要】：从1980年江文也这个名字在中国的音乐界重新被重视起来,从此许许多多的人开始研究江文也先生的音乐作品。从1990年到1995年间,分别在香港、台北、北京举行了三次江文也研讨会,可以说这五年间对江文也先生的研究到了最高峰。江文也先生的音乐创作,数量之多,领域之广,是同时期的作曲家和之后的作曲家所无法比拟的。他创作风格的改变也是中国作曲界极少见的,在他回国后,极力的想摆脱日本音乐对他的影响,创造着属于中国的民族调式音乐,并将他的音乐事业与中国音乐的发展紧紧地联系在一起。所以说江文也先生对中国钢琴曲创作的贡献是不可忽视的。在创作技术上,他的大胆创新给中国的作曲界带来了全新的视野,并成为钢琴作曲界的带头人。本文通过介绍江文也先生的生平简介和江文也先生的音乐作品,总结了各时期的风格特点,从整体上了解作曲家江文也先生,从而针对研究江文也先生回国后过渡时期的钢琴音乐创作。通过对江文也先生风格转变期的第一部作品《北京万华集》的音乐形象与演奏上的细致分析,了解到江文也先生的这个时期的创作风格和创作特点,和他主观意识上的向中国风格的靠拢。《北京万华集》这部作品在江文也的钢琴音乐创作中,起到了承上启下的作用,也为他今后的创作奠定了基础。他音乐创作风格上的转变,体现了他回归祖国的真正意图,就是运用国外的现代创作技法来创作本民族的音乐,通过这种手段来创造属于自己的音乐风格,发扬中国的钢琴音乐事业。这种风格上的转变为中国的钢琴音乐创作起到了良好的典范,闯出了一条新的创作道路,并做出了诸多的贡献。
[Abstract]:Since 1980, when the name Jiang Wen was given new prominence in Chinese music circles, many people began to study Mr. Jiang Wen's music works. From 1990 to 1995, three Jiang Wen seminars were held in Hong Kong, Taipei and Beijing. The number and scope of Mr. Jiang Wen's music creation are incomparable to those of his contemporaries and later composers. The change in his writing style was also rare in the Chinese composing world. After he returned to China, he tried his best to get rid of the influence of Japanese music on him and to create the national music that belonged to China. And his music career and the development of Chinese music closely linked. Therefore, Mr. Jiang Wen's contribution to the creation of Chinese piano music should not be ignored. In terms of creative technology, his bold innovation brought a new vision to the Chinese composing world, and he became the leader of the piano composition field. By introducing Mr. Jiang Wen's life and Mr. Jiang Wen's musical works, this paper summarizes the style and characteristics of each period, so as to understand the composer Mr. Jiang Wen as a whole. In order to study the Jiang Wen also after the transition period of piano music creation. Through the detailed analysis of the music image and performance of Mr. Jiang Wen's first work, "Beijing Wanhua Ji", during the period of his style change, we can understand the creative style and creative characteristics of Mr. Jiang Wen in this period. "Beijing Wanhua Ji" plays a connecting role in Jiang Wen's piano music creation and lays a foundation for his future creation. The change in his musical creation style reflects his real intention to return to the motherland, that is, to use the modern creative techniques of foreign countries to create music of his own nation, and through this means to create his own music style. Carry forward China's piano music career. This kind of change in style has played a good role model in Chinese piano music creation, blazed a new way of creation and made a lot of contributions.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

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