“三种唱法”的文化分析

发布时间：2018-06-22 14:07

本文选题：唱法 + 三种唱法　；参考：《河南大学》2004年硕士论文

【摘要】： “美声唱法”、“民族唱法”、“通俗唱法”是20世纪80年代以来我国音乐界为了统一声乐比赛时的评判标准而采用的一种演唱分类方法，简称“三种唱法”。“三种唱法”是一种客观存在的文化现象，它是我国改革开放以来顺应社会发展而产生的新生事物，它的出现和发展具有某种不以人的意志为转移的历史必然性。同时，这一文化现象的产生也是由其内在和外在的多重因素综合而形成的。其中，社会政治经济关系的变革、欣赏习惯、审美文化差异、大众的社会心理等是促成“三种唱法”这一文化现象形成的重要因素。本文以“三种唱法”为主要研究对象，从文化学的角度出发，阐明了“三种唱法”这一分类方法形成的历史背景；深入分析了“三种唱法”各要素与“三种唱法”这一分类方法之间的关系；指出“三种唱法”争论的焦点和实质。文章正文共分四个部分第一部分我国近现代史上关于唱法的争论本章从建国前、建国以后到“文革”时期、改革开放时期三个历史时期入手，，对各个时期声乐界存在的唱法类型做概括的描述。第二部分 “三种唱法”要素的文化分析本章以“三种唱法”的各要素为切入点，从社会政治经济关系的变革、音乐欣赏习惯和审美文化差异、大众的社会心理等三个方面入手，对“三种唱法”进行文化分析，论证了“三种唱法”各要素对“三种唱法”这一分类方法形成的影响。第三部分关于“三种唱法”提法的争论本章对“三种唱法”所引发的社会争论进行了深刻的分析，指出了争论的焦点和争论的实质。第四部分对“三种唱法”的客观评价本章综合前三章的论述，对“三种唱法”这一分类方法进行比较客观的评价。 “三种唱法”是一种文化现象，对这一现象作深刻的研究，必将有助于我国声乐事业的发展，为未来我国声乐事业的发展提供有益的参考。
[Abstract]:"Bel canto", "national singing", "popular singing" is a kind of singing classification method adopted by Chinese music industry in order to unify the standard of vocal music competition since 1980's, referred to as "three singing methods". "three ways of singing" is an objective cultural phenomenon, it is a new thing that comes into being in accordance with the social development since the reform and opening up of our country, its appearance and development has some historical inevitability which does not take the human will as the transfer. At the same time, the emergence of this cultural phenomenon is formed by its internal and external multiple factors. Among them, the transformation of social political and economic relations, appreciation habits, aesthetic cultural differences and the social psychology of the masses are the important factors contributing to the formation of the cultural phenomenon of "three ways of singing". This article takes "three singing methods" as the main research object, from the cultural point of view, expounds the historical background of the formation of the "three singing methods". This paper deeply analyzes the relationship between the elements of "three singing methods" and the classification method of "three singing methods", and points out the focal point and essence of "three singing methods". The text of the article is divided into four parts: the first part is the debate on singing method in the modern history of our country This chapter begins before the founding of the people's Republic of China From the founding of the people's Republic of China to the period of the Cultural Revolution, three historical periods of reform and opening to the outside world were carried out. The second part is the cultural analysis of the elements of the "three ways of singing". This chapter takes the elements of the "three singing methods" as the breakthrough point, from the transformation of the social, political and economic relations. Starting with the differences of music appreciation habits and aesthetic culture, and the social psychology of the masses, this paper makes a cultural analysis of the "three singing methods", and demonstrates the influence of each element of the "three singing methods" on the formation of the classification method of "three singing methods". The third part of the argument on the formulation of "three singing methods" this chapter makes a profound analysis of the social controversy caused by the "three singing methods". It points out the focus of the argument and the essence of the argument. The fourth part is the objective evaluation of "three singing methods", which synthesizes the exposition of the first three chapters, and evaluates the classification method of "three singing methods" objectively. "three ways of singing" is a cultural phenomenon. A profound study of this phenomenon will certainly contribute to the development of the cause of vocal music in China. For the future development of vocal music in China to provide a useful reference.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2

【引证文献】