用动机分析方法分析中国民歌

发布时间：2018-07-26 20:57

【摘要】： 随着《中国民歌集成》的编撰工作的启动，中国民歌研究步入了一个新阶段。但从具有较高权威性、学术性的研究资料的状况看，中国民歌研究对调式调性、节奏、曲式(句式结构)、唱法、体系、流派、和声等领域关注得较多，而对作为音乐分析方法学之一的“动机分析”领域从未涉入。本文正是以音乐分析中创作技法分析为起点，对56首中国民歌(囊括五十六个民族)作了较为详尽的动机分析。旨在发掘中国民歌音乐材料性质的内在联系及其有机结合，观察这个过程中动机与动机的变体、变体与变体之间的派生关系及相互关系，从不同角度认识中国民歌的结构方式和变化过程，再现创作者富有逻辑性的心理结构与作品结构的统一。其中涉及到的有关理论——中国民歌的概念、中国民歌研究概况、中国民歌与其它中国民间音乐的关系、中国民歌的特质、动机分析方法、动机的概念、动机的运用、动机在中国民歌中音高和节奏方面的运用——在上篇予以简要地论述；下篇在简短的绪论——关于谱例的选择、分析角度的选择、分析中字母标识问题——后，从音高动机及其移位与无移位的变体、节奏动机及其精确重复与变化重复的变体、音高与节奏结合的动机及其motif模式与motif and cell模式的变体的几个角度，，以一般图示、图式、图表、文字等方式，对中国民歌作了分门别类的实例分析。在对中国民歌的动机分析过程中，无形地提出也解答了一些问题，这些问题最终归结为一个“共性”问题，包括东方音乐创作与西方音乐创作的共性以及艺术音乐创作与民间音乐创作的共性的结合。它蕴涵在整个分析过程的每一个细节里，体现在音乐材料的组织、创作技法的应用、分析角度的选择、分析方法的运用等方面，甚至包括分析方法本身。衷心希望本文能够使中国民歌的创作技法分析领域得到关注，从而为中国民歌研究尽一份微薄之力。更希望对人类音乐创作的“共性”问题重新审视、思考。
[Abstract]:With the initiation of compilation of Chinese Folk songs, the study of Chinese Folk songs has entered a new stage. However, from the point of view of the highly authoritative and academic research materials, the study of Chinese folk songs has paid more attention to the fields of tone, rhythm, form (sentence structure), singing, system, school, harmony and so on. As one of the methods of music analysis, the field of motivation analysis has never been involved. Based on the analysis of creative techniques in music analysis, this paper makes a detailed motivation analysis of 56 Chinese folk songs (including 56 nationalities). The purpose of this paper is to explore the intrinsic relationship and organic combination of the nature of Chinese folk song music material, and to observe the variation of motivation and motivation, the derivative relationship between variation and their mutual relationship in this process. To understand the structure and changing process of Chinese folk songs from different angles, and to reproduce the unity of the author's logical psychological structure and the structure of his works. The related theories involved are the concept of Chinese folk song, the general situation of Chinese folk song research, the relationship between Chinese folk song and other Chinese folk music, the characteristics of Chinese folk song, the method of motivation analysis, the concept of motivation, and the application of motivation. The use of motivation in Chinese Folk songs in terms of pitch and Rhythm-briefly discussed in the first part; in the second part, after the brief introduction on the selection of spectral examples, the choice of analytical angles, the analysis of the problem of letter identification in Chinese folk songs, From the angles of pitch motivation and its variants of shift and no shift, rhythmic motivation and its exact repetition and variation repetition, pitch and rhythm combination motivation and the variations of motif pattern and motif and cell pattern, the general diagram and schema are used in this paper. In this paper, some examples of Chinese folk songs are analyzed in the form of charts, characters and so on. In the process of analyzing the motivation of Chinese folk songs, some questions are put forward and answered invisibly. These questions are finally reduced to a "common" problem. It includes the generality of oriental music creation and western music creation, and the combination of artistic music creation and folk music creation. It is embodied in every detail of the whole analysis process, including the organization of musical materials, the application of creative techniques, the selection of analytical angles, the application of analytical methods, and even the analytical methods themselves. I sincerely hope that this paper can make the field of Chinese folk song creative technique analysis get attention, so as to make a modest contribution to the study of Chinese folk song. More hope to human music creation, "commonality" problem re-examine, think.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J607

【引证文献】