昌黎民歌的音乐研究

发布时间：2018-07-29 19:01

【摘要】：“一方水土养育一方人,一方人唱一方歌。”民歌是中华民族文化艺术中非常重要的一部分,民歌是从古至今人们歌唱生活、抒发感情的一种主要方式。很多民歌经久不衰,经得起历史长河的冲洗,保留下来人们精神的印记。昌黎县隶属河北省秦皇岛市,北靠燕山,东临渤海,西临滦河,山清水秀,人杰地灵。当地人民生活稳定富足,文化底蕴深厚,是全国有名的文化大县。在这片沃土上繁衍生息的昌黎人,用他们独特的“老Yd儿”方音演唱着昌黎民歌,那细腻的润腔、婉转的旋律,让唱者动情,让听者倾心。昌黎民歌是中国原生态民歌的一枝奇葩,在冀东大地上流传至今,久唱不衰,并于2007年经国务院批准列入第二批国家级非物质文化遗产名录,它不仅是昌黎县珍贵的文化瑰宝,凝聚着昌黎人的智慧和情感,也是中华民族的宝贵遗产。昌黎民歌与昌黎社会文化之间有着水乳交融般的亲情关系,它起到了调剂人与人,人与社会之间关系的作用。昌黎县政府文化部门非常重视昌黎民歌的传承保护工作,而且近几年来昌黎县政府一直大力打造“昌黎三歌”(昌黎民歌、昌黎地秧歌、昌黎吹歌)特色文化品牌,使昌黎民歌又迎来了蓬勃的春天,焕发出勃勃生机。本着“去其糟粕,取其精华”的精神,对带有明显封建迷信、颓废色情的部分,进行了批判地继承。以昌黎民歌演唱家曹玉俭为代表的民歌艺人名噪一时,他曾被中央歌舞团、天津音乐学院、杭州歌舞团等六大专业艺术团体、院校聘请任教传艺。昌黎县文化馆先后多次组织了较大规模的采访、拜访老艺人41人,共搜集传统民歌155首,劳动号子7首,叫卖调5首,抗日民歌22首,总计189首。昌黎民歌不受场地和人员的限制,在昌黎人民劳动生活中随时随地就可以唱起来,是广大群众普遍喜爱的一种文艺活动,是活跃群众文化生活的一项民间艺术。本人采用了文献考察、田野调查的方式对昌黎民歌的音乐进行研究。把论文分为四部分,绪论主要介绍昌黎民歌的研究现状,研究途径,研究角度、目的和意义；第一章从历史渊源和形成追溯以及发展现状介绍昌黎民歌；第二章从地理位置、题材内容、演唱形式对昌黎民歌进行分类和演唱技巧的阐述；第三章从昌黎民歌的旋律特点及民族调式上进行分析论述；第四章从音乐人类学、音乐社会学、群众文化学的角度更深层次探讨昌黎民歌如何与时代同步发展,昌黎民歌由形成期到成熟期、冷落迫害期,直到现在的弘扬振兴期,已经形成了一套较完善的音乐文化体系,这既是昌黎民歌发展的基础和动力,也是它自身发展的阻力,昌黎民歌要自觉抵制自身产生的文化传统阻力,保持昌黎民歌的活力,增强时代感,多形式、多空间、立体式的发展昌黎民歌,在继承中发展,在发展中传承,保持昌黎民歌旺盛的艺术生命力。如果现在昌黎音乐工作者努力创造出以昌黎民歌为动力起点的现代生活文化产品,努力满足昌黎人的精神文化生活需求,那么昌黎民歌的发展潜力是巨大的。继续发挥昌黎民歌在大众音乐文化中的社会调合剂作用,不仅要依靠政府文化系统大力支持的有力平台,更要广泛的营造大众音乐文化氛围,继续保持从群众生活中来,又服务于大众的生产生活。最后总结全文要点,从学术价值、社会价值、艺术价值的角度上展望昌黎民歌。音乐是人类创造的,人类创造的音乐在社会中的价值是不可或缺的。本人作为土生土长的秦皇岛人,为家乡有这样的文化遗产感到自豪。从小就对家乡本土的音乐文化有着浓厚的兴趣,积极参加社会文化活动。直到2010年1月,本人有幸参加了中央电视台“民歌中国”栏目《魅力昌黎》节目中,昌黎民歌《拣棉花》《渔家乐》的演唱录音伴奏制作合成等工作,使我更深入零距离接触昌黎民歌。现在作为一名群文干部,更有责任把家乡的民族音乐艺术更好的继承和发展。让更多的人爱听爱唱昌黎民歌,把这一宝贵文化得以继承和发展,在世界的文艺舞台上绽放出独特的艺术魅力。
[Abstract]:"One side, one side, one side singing a song." folk songs are a very important part of Chinese culture and art. Folk songs are a major way of singing and expressing feelings from ancient times to the present. Many folk songs are enduring, can stand the development of the history of the river, and retain the spirit of the people. Changli county is subordinate to the river. Qinhuangdao city in northern province, Yanshan in the north, Bohai in the East, Luan River in the west, beautiful mountains and water, outstanding people. The local people are stable and rich in life and rich in culture. It is a famous cultural County in the whole country. The people of Changli who flourish on this fertile soil are singing the folk songs of Changli with their unique "old Yd" square sound, the delicate moistening cavity and euphemistic spin Changli folk song is a wonderful flower of the original ecological folk song of China. It has been spread to the ground in the east of Hebei, and has been sung for a long time, and has been listed in the second batch of national intangible cultural heritage list approved by the State Council in 2007. It is not only a precious cultural treasure in Changli County, but also the wisdom and emotion of Changli people. It is a precious heritage of the Chinese nation. Changli folk song and Changli social culture have a mixed relationship between people and people and the relationship between people and society. The Cultural Department of Changli county government attaches great importance to the protection of the inheritance and protection of the folk songs of Changli, and in recent years, the Changli county government has been making great efforts to build "Chang" The characteristic cultural brand of Li San song (Changli folk song, Changli Yangge song, Changli blowing song) has made Changli folk songs ushered in vigorous spring and glowing with vitality. The spirit of "go to the dross and take its essence", inherit critically the part with obvious feudal superstition and decadent pornography. The Changli folk song singer Cao Yujian On behalf of the folk song artist famous, he has been the central song dance troupe, Tianjin Conservatory of Music, Hangzhou song and dance troupe, and other six major art groups, colleges and universities hired to teach. Changli County Cultural Museum has organized a large number of interviews and visited the old artists 41 people, a total of 155 folk songs, labor number 7, bid 5, anti Japanese folk songs 22, a total of 189. Changli folk songs are not restricted by the site and the personnel. It can be sung at all times and anywhere in the working life of the people of Changli. It is a kind of literary and artistic activity that the masses generally love and is a folk art that is active in the cultural life of the masses.
I used literature review and field investigation to study the music of Changli folk songs. The thesis is divided into four parts. The introduction mainly introduces the research status of Changli folk songs, research approaches, research angles, purpose and significance; the first chapter introduces Changli folk songs from historical origin and formation retroactive and development status, and the second chapter from geography. Position, subject content, singing form of Changli folk songs of the classification and singing skills, the third chapter of Changli folk songs from the melody characteristics and national style of analysis and discussion; the fourth chapter from the perspective of musical anthropology, music sociology, mass culture to explore the development of Changli folk songs with the times, how to synchronize with the times, Chang Limin The song from the formation period to the mature period, the period of cold persecution, until the present promotion and revitalization period, has formed a set of more perfect music culture system, which is the foundation and motive force of the development of Changli folk songs, but also the resistance of its own development. The Changli folk song should resist the cultural tradition resistance itself, keep the vitality of the Changli folk song, and strengthen the vitality of the folk songs. The sense of the times, multi form, multi space and stereoscopic development of Changli folk songs are developed in succession, inheriting in the development, maintaining the vigorous artistic vitality of Changli folk songs. If now Changli musicians strive to create a modern life culture product with Changli folk songs as the starting point, we will try to meet the spiritual and cultural needs of Changli people. Then the development potential of Changli folk songs is huge. To continue to play the role of the social blending of Changli folk songs in the mass music culture, we should not only rely on the powerful platform of the government's cultural system, but also create a broad atmosphere of mass music culture, continue to keep from the mass life, and serve the mass production and life. Then summarize the main points of the article, and Prospect Changli folk songs from the perspectives of academic value, social value and artistic value.
Music is created by human beings. The value of music created by mankind is indispensable. As a native of the native Qinhuangdao, I am proud of the cultural heritage of his hometown. I was very interested in the native music culture of his hometown and actively participated in social cultural activities. I had been lucky to participate in the January 2010. Adding the CCTV "folk song China" column "glamour Changli >" program, Changli folk song "picking cotton > < fisherman Music > singing and recording accompaniment, making synthetic and other work, I am more deep in contact with the Changli folk song. Now as a group of cadres, it is more responsible for the better inheritance and development of the folk music and art of his hometown. People love to listen to, love and sing Changli folk songs. This valuable culture has been inherited and developed, and has produced unique artistic charm on the world's literary stage.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J607

【共引文献】