音乐形态学分析、音乐学分析与民族音乐学分析——传统音乐研究的不同方法论视角及其文化语境的比较

发布时间：2018-07-31 10:11

【摘要】：中国传统音乐是一个重要的学科门类,也是一种特定的研究对象范畴,无论从历时性或共时性角度看,该学科领域都存在着对方法论范式进行选择的不同的可能性。音乐(形态)分析、音乐学分析和民族音乐学分析(民族音乐学的音乐文化分析)被视为可供中国传统音乐(含汉族传统音乐和少数民族音乐)研究者进行选择的三种典型的音乐分析范式,彼此之间存在共性、个性之分。其中,民族音乐学分析从理论和分析实践上假定并包括了其他两种分析范式的因素,对于不同范式分别强调的"形态、语义、语境"等符号学分支的学术观念给予了综合的应用,又根据传统音乐具有的"跨(异)族群一阶层"文化研究的性质,尤其强调了其中语境的因素。故而,民族音乐学分析是我们从事该类课题研究的过程中,应该首先予以考虑的一种分析思维和方法。
[Abstract]:Chinese traditional music is not only an important subject category, but also a kind of specific research object category. Whether from the diachronic or synchronic point of view, there are different possibilities to choose the methodology paradigm in this discipline field. Musical (morphological) analysis, Musicology analysis and ethomusicology analysis (the musical culture analysis of ethnomusic) are regarded as three typical musical analysis paradigms which can be selected by the researchers of Chinese traditional music (including Han traditional music and ethnic music). There are commonness and individuality between each other. Among them, ethomusicological analysis assumes and includes the factors of the other two analytical paradigms in theory and practice. The academic ideas of semiotics, such as context ", are applied synthetically, and the factors of context are emphasized according to the nature of traditional music's" cross-ethnic and one-class "culture research. Therefore, ethnomusicology analysis is a kind of analytical thinking and method that should be considered in the course of our research on this subject.
【作者单位】：中央音乐学院音乐学系;
【基金】：上海高校音乐人类学E-研究院建设计划项目:e05011
【分类号】：J607

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