关于拉赫玛尼诺夫《音乐会练声曲》的演唱研究
发布时间：2018-08-27 20:25
【摘要】：本文针对拉赫玛尼诺夫《音乐会练声曲》,对其《音乐会练声曲》的演唱要求进行考源以及对其作品研究的心得感悟。谢尔盖·瓦西里维奇·拉赫玛尼诺夫(1873-1943)是20世纪上半叶著名的俄国作曲家、指挥家、钢琴家。《音乐会练声曲》创作于1912年,作品op.34是拉赫玛尼诺夫的艺术歌曲中最著名的作品之一,也是他唯一的一部音乐会练声曲,这首作品是为当时俄国著名抒情花腔女高音涅日丹诺娃量身定做的。拉赫玛尼诺夫《音乐会练声曲》充分地发挥音乐会练声曲这一体裁的演唱要求,以及带有俄罗斯韵味的优美旋律。 本文首先通过对拉赫玛尼诺夫《音乐会练声曲》的音乐背景及艺术特性进行简明扼要的总结性介绍。然后进一步对《音乐会练声曲》的演唱要求特点和声乐演唱技巧的难度掌握及解决手段进行阐析。重点针对“a”母音的运用、起始音的重要性、呼吸的运用、气息的控制,连音、装饰音的演唱处理、声音力度的把握、表情记号的运用等,以及对作品的演唱分段把握和诠释作以梳理进行阐述分析。最后对拉赫玛尼诺夫《音乐会练声曲》的声乐魅力进行心得体会,同时为使更多的专业演唱及声乐教学对这一体裁有更多的关注,并提供一定的理论依据。为完美的诠释该作品做理论与技术上的准备,既对演绎拉赫玛尼诺夫这首作品起到指导作用,也对深入研究音乐会练声曲起到良好的促进作用。希望通过更多的研究及实践使音乐会练声曲这一体裁的运用不仅能作为训练声音的好手段又能作为音乐会上演唱的优秀曲目。 在研究过程中,笔者了解到国内有关音乐会练声曲发展及运用的研究还甚少,对拉赫玛尼诺夫《音乐会练声曲》声乐演唱方面的研究挖掘基本上处于空白状态,所以笔者试图从这一新的视角出发解析其学术价值。笔者的大胆想法,需要更多声乐学习者和声乐教师给予足够的重视和支持,对其价值进行更进一步挖掘,更好的运用到声乐学习中来。
[Abstract]:Based on Rachmaninov's Concert practice, this paper makes an examination of the singing requirements of Rachmaninov's Concert and his works. Sergei Vasilivich Rakhmaninov (1873-1943) was a famous Russian composer, conductor and pianist in the first half of the 20th century. Work op.34 is one of Rachmaninov's most famous works of art and his only concert soundtrack, which was tailored to the famous Russian lyric soprano Nirzdanova at that time. Rachmaninov's "Concert Soundry" gives full play to the singing requirements of the genre of "Concert", as well as the beautiful melody with Russian flavor. This paper first introduces the musical background and artistic characteristics of Rachmaninov's Concert. Then, the characteristics of the singing requirements and the difficulty of vocal singing skills are analyzed. Focusing on the use of "a" vowels, the importance of starting sounds, the use of breath, the control of breath, the singing of consonants and decorative sounds, the grasp of sound intensity, the use of emoji, etc. As well as the work of the singing section grasp and interpretation to sort out the analysis. Finally, the author makes some experience on the vocal charm of Rachmaninov's vocal music practice, and provides some theoretical basis for more professional singing and vocal music teaching to pay more attention to this genre. In order to make theoretical and technical preparation for the perfect interpretation of the work, it not only plays a guiding role in deducing Rachmaninov's work, but also plays a good role in promoting the further study of the concert sonic music. It is hoped that through more research and practice, the music practice can be used as not only a good means to train the sound, but also an excellent track in the concert. In the course of the research, the author knows that there are few researches on the development and application of concert vocal music in China, and the research and excavation of Rachmaninov's vocal music singing is basically in a blank state. So the author tries to analyze its academic value from this new angle of view. The author's bold ideas need more vocal music learners and vocal music teachers to give enough attention and support to further explore its value and better use in vocal music learning.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616
本文编号：2208362
[Abstract]:Based on Rachmaninov's Concert practice, this paper makes an examination of the singing requirements of Rachmaninov's Concert and his works. Sergei Vasilivich Rakhmaninov (1873-1943) was a famous Russian composer, conductor and pianist in the first half of the 20th century. Work op.34 is one of Rachmaninov's most famous works of art and his only concert soundtrack, which was tailored to the famous Russian lyric soprano Nirzdanova at that time. Rachmaninov's "Concert Soundry" gives full play to the singing requirements of the genre of "Concert", as well as the beautiful melody with Russian flavor. This paper first introduces the musical background and artistic characteristics of Rachmaninov's Concert. Then, the characteristics of the singing requirements and the difficulty of vocal singing skills are analyzed. Focusing on the use of "a" vowels, the importance of starting sounds, the use of breath, the control of breath, the singing of consonants and decorative sounds, the grasp of sound intensity, the use of emoji, etc. As well as the work of the singing section grasp and interpretation to sort out the analysis. Finally, the author makes some experience on the vocal charm of Rachmaninov's vocal music practice, and provides some theoretical basis for more professional singing and vocal music teaching to pay more attention to this genre. In order to make theoretical and technical preparation for the perfect interpretation of the work, it not only plays a guiding role in deducing Rachmaninov's work, but also plays a good role in promoting the further study of the concert sonic music. It is hoped that through more research and practice, the music practice can be used as not only a good means to train the sound, but also an excellent track in the concert. In the course of the research, the author knows that there are few researches on the development and application of concert vocal music in China, and the research and excavation of Rachmaninov's vocal music singing is basically in a blank state. So the author tries to analyze its academic value from this new angle of view. The author's bold ideas need more vocal music learners and vocal music teachers to give enough attention and support to further explore its value and better use in vocal music learning.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616
【引证文献】
相关期刊论文 前1条
1 张洪侠;;拉赫玛尼诺夫《音乐会练声曲》在声乐教学中的应用[J];交响(西安音乐学院学报);2012年04期
，本文编号：2208362
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