贝多芬《欢乐颂》研究
发布时间：2018-08-28 08:32
【摘要】： 路德维希、凡、贝多芬(1770—1827)德国，是他那个时代最伟大的作曲家。《第九交响曲》是他晚年的惊世之作，开创了浪漫主义音乐的先河。其末乐章，《欢乐颂》，不仅首次把人声引进了交响乐，而且也表达了他的自由思想，唱词采用了席勒宣扬自由、民主思想的诗歌《欢乐颂》。在18、19世纪的诗歌创作中，“自由”和“欢乐”是可以互相替代的，席勒创作的《欢乐颂》实际上歌颂的就是自由，，因此本文从贝多芬的自由观出发，对《欢乐颂》进行了研究。 本文共分为四个部分：第一部分纵向研究了贝多芬自由观产生的时代、社会、家庭等原因，其中创新的提出了当时艺术家的社会地位底下，也是贝多芬渴望自由的潜在原因；第二部分，论述了贝多芬和席勒诗歌的渊源关系，相同的理想和人生遭遇使得贝多芬得以在其晚年的顶峰之作中，采用席勒的诗歌《欢乐颂》，歌颂自己及全人类的自由理想；第三部分是贝多芬写作《欢乐颂》的历程和《第九交响曲》的创作背景；第四部分从合唱的引进手法(人声引进交响乐)、曲式结构特征方面对《欢乐颂》进行了详细的分析，还从合唱指挥方面应注意的几个主要问题(语言、曲式和指挥的案头分析)及首演情况等方面进行了论述。 通过《欢乐颂》的研究，证明了对自由和欢乐的追求伴随了贝多芬整整一生的道路。
[Abstract]:Ludwig, van, Beethoven (1770-1827), Germany, was the greatest composer of his time. His final movement, "Ode to Joy", not only introduced voice into the symphony for the first time, but also expressed his free thought. "Freedom" and "joy" can be replaced by each other in the 1819 ~ (th) century poetry creation. Schiller's "Ode to Joy" is actually a song of freedom. Therefore, this paper studies "Ode to Joy" from Beethoven's view of freedom. This paper is divided into four parts: the first part of the longitudinal study of Beethoven's concept of freedom of the era, society, family and other reasons, among which the creative proposed the artist's social status, but also Beethoven's desire for freedom of the potential reason; The second part discusses the relationship between Beethoven and Schiller's poetry. The same ideal and life experience make Beethoven use "Ode to Joy" in the peak of his old age to extol himself and the freedom ideal of all mankind. The third part is the history of Beethoven's "Ode to Joy" and the background of "Symphony No. 9". This paper also discusses the main problems (language, form and desk analysis of the conductor) and the first performance of the chorus conductor. The study of Ode to Joy proves that the pursuit of freedom and joy followed Beethoven's path throughout his life.
【学位授予单位】：西南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605
本文编号：2208854
[Abstract]:Ludwig, van, Beethoven (1770-1827), Germany, was the greatest composer of his time. His final movement, "Ode to Joy", not only introduced voice into the symphony for the first time, but also expressed his free thought. "Freedom" and "joy" can be replaced by each other in the 1819 ~ (th) century poetry creation. Schiller's "Ode to Joy" is actually a song of freedom. Therefore, this paper studies "Ode to Joy" from Beethoven's view of freedom. This paper is divided into four parts: the first part of the longitudinal study of Beethoven's concept of freedom of the era, society, family and other reasons, among which the creative proposed the artist's social status, but also Beethoven's desire for freedom of the potential reason; The second part discusses the relationship between Beethoven and Schiller's poetry. The same ideal and life experience make Beethoven use "Ode to Joy" in the peak of his old age to extol himself and the freedom ideal of all mankind. The third part is the history of Beethoven's "Ode to Joy" and the background of "Symphony No. 9". This paper also discusses the main problems (language, form and desk analysis of the conductor) and the first performance of the chorus conductor. The study of Ode to Joy proves that the pursuit of freedom and joy followed Beethoven's path throughout his life.
【学位授予单位】：西南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605
【引证文献】
相关硕士学位论文 前1条
1 汤鑫;对贝多芬第八奏鸣曲和肖邦叙事曲的音乐内容研究[D];东北师范大学;2007年
本文编号：2208854
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