瞿希贤音乐创作心理研究

发布时间：2018-10-20 19:49

【摘要】： 历史上对音乐创作的研究基本上是两种方法的结合：一种是音乐学的方法，即以作品技术分析为中心的研究方法；一种是史学的方法，即从分析作曲家所处的社会环境入手，探讨各种社会因素对作曲家的影响，并以此作为对作品分析的基础。无疑，这些是进行音乐创作研究的有效方法，利用其也已经取得了丰硕的成果。然而，这两种方法只研究了音乐创作的输入端——社会信息和输出端——作品信息，而对联系这两端的中间环节——音乐创作主体的心理领域却作为一个“黑箱”很少涉及，这也正是以往对音乐创作研究的局限和缺陷。如果说过去作曲家的内心世界是一个神秘莫测的“黑箱”的话，今天心理学方法和其他学科的发展已经为我们提供了许多有用的工具去探索作曲家的创作心理。而这一领域的研究成果与音乐学及史学方法的结合与统一必将推进对音乐创作研究的进展。然而，由于思维的模糊性、心理学实证研究的相对困难性和笔者的精力能力的限度，不可能将太多的作曲家的创作心理一起进行详细的分析和研究。在这里，笔者选择了在中国当代音乐史上具有特殊地位和意义并且自己一直崇敬和喜爱的女作曲家瞿希贤作为研究对象，通过对瞿希贤本人的采访、查阅有关瞿希贤的音乐文献资料以及对心理学有关研究方法和研究成果的运用和借鉴，对瞿希贤创作心理进行了一系列的分析和研究。本文共分三个部分：第一部分介绍心理学最有代表性的五大学派的观点在音乐创作心理学研究中的应用，将音乐创作心理学与大心理学的观点结合在一起。第二部分介绍作曲家瞿希贤的生平并从心理学角度对作曲家瞿希贤的人格结构和生命体验进行分析和研究。第三部分在前两个部分研究结果的基础上，对瞿希贤音乐创作心理过程和心理特征进行总结概括。
[Abstract]:In history, the research on music creation is basically a combination of two methods: one is the method of musicology, that is, the research method centered on the technical analysis of works; One is the method of historiography, that is, by analyzing the social environment in which composers live, This paper probes into the influence of various social factors on composers and takes it as the basis for the analysis of works. There is no doubt that these are the effective methods of music creation research, and they have also achieved fruitful results. However, these two methods only study the input end of the music creation-the social information and the output end-the work information. However, as a "black box", the psychological field of the music creation subject, which is the intermediate link between the two ends, is rarely involved. This is also the limitation and defect of music creation research in the past. If the inner world of a composer in the past was a mysterious "black box," The development of psychological methods and other disciplines today has provided us with many useful tools to explore. The creative psychology of the composer. The combination and unification of the research results with the methods of musicology and historiography will advance the research of music creation. However, due to the fuzziness of thinking, the relative difficulty of empirical research in psychology and the limitation of the author's energy ability, It is impossible to analyze and study the creative psychology of too many composers. Here, the author chooses Qu Xixian, who has a special position and meaning in the history of contemporary music in China, and who has always respected and loved Qu Xixian, as the object of study. Through an interview with Qu Xixian himself, Referring to the music literature about Qu Xixian and the application and reference to the research methods and achievements of psychology, This paper makes a series of analysis and research on Qu Xixian's creative psychology. This paper is divided into three parts: the first part introduces the five most representative schools of psychology in music creation psychology The application of scientific research, Combine the ideas of music creation psychology with macro psychology. The second part introduces the life of composer Qu Xixian and analyzes and studies the personality structure and life experience of composer Qu Xixian from the angle of psychology. The third part summarizes the psychological process and psychological characteristics of Qu Xixian's music creation on the basis of the results of the first two parts.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605

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