舒宾《第二巴扬奏鸣曲》的艺术特征与演奏分析
发布时间：2018-11-22 07:46
【摘要】：巴扬自由低音手风琴是20世纪末才传入我国,在国内教学中尚属一门新兴学科。巴扬自由低音手风琴与传统式手风琴相比,因其可变换系统的先进性、音域的延展性以及音色表现的多样性,在国内手风琴届刮起一阵“自由低音”旋风,国内各大音乐院校纷纷成立院系、开设这门课程。作为一个出现只有百余年的新兴乐器,自由低音手风琴想要发展壮大,必然需要大量原创作品的支持。而随着自由低音手风琴的普及,原创作品的练习是演奏者学习过程中的必经之路。 本文分为绪论与三个章节 绪论主要介绍近现代音乐的发展趋势以及研究近现代自由低音手风琴及其原创作品发展的意义。 第一章是介绍作者舒宾及其第二奏鸣曲的音乐创作及其艺术价值。 第二章是针对《第二奏鸣曲》的音乐本体、作者的创作手法以及艺术风格进行音乐学分析。 第三章结合《第二奏鸣曲》的演奏特点与音乐处理阐述这首原创作品对巴扬个性的发挥产生的作用,并且着重针对其特性技术训练提供一些解决方法,使演奏者能够更好的把握作品风格,完成这首近现代自由低音手风琴的代表作。
[Abstract]:Bayan free bass accordion was introduced into China at the end of the 20th century. Compared with the traditional accordion, the Bayan free bass accordion has a whirlwind of "free bass" in the domestic accordion because of the advanced nature of the system, the extensibility of the phonetic range and the diversity of the timbre. Major music institutions in China have set up departments to open this course. As a new musical instrument, free bass accordion must be supported by a large number of original works in order to develop. With the popularity of the free bass accordion, the practice of original works is the only way for players to learn. This paper is divided into three chapters: introduction and introduction. It mainly introduces the development trend of modern music and the significance of studying the development of modern free bass accordion and its original works. The first chapter introduces the musical creation and artistic value of the author Schubin and his second Sonata. The second chapter is a musicological analysis of the music Noumenon of Sonata II, the author's creative techniques and artistic style. In the third chapter, combined with the performance characteristics of the second Sonata and the music processing, the author expounds the effect of this original work on the exertion of Bayan's individuality, and puts emphasis on providing some solutions to its characteristic technical training. So that the performer can better grasp the style of the work, complete this modern free bass accordion masterpiece.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.3
本文编号：2348557
[Abstract]:Bayan free bass accordion was introduced into China at the end of the 20th century. Compared with the traditional accordion, the Bayan free bass accordion has a whirlwind of "free bass" in the domestic accordion because of the advanced nature of the system, the extensibility of the phonetic range and the diversity of the timbre. Major music institutions in China have set up departments to open this course. As a new musical instrument, free bass accordion must be supported by a large number of original works in order to develop. With the popularity of the free bass accordion, the practice of original works is the only way for players to learn. This paper is divided into three chapters: introduction and introduction. It mainly introduces the development trend of modern music and the significance of studying the development of modern free bass accordion and its original works. The first chapter introduces the musical creation and artistic value of the author Schubin and his second Sonata. The second chapter is a musicological analysis of the music Noumenon of Sonata II, the author's creative techniques and artistic style. In the third chapter, combined with the performance characteristics of the second Sonata and the music processing, the author expounds the effect of this original work on the exertion of Bayan's individuality, and puts emphasis on providing some solutions to its characteristic technical training. So that the performer can better grasp the style of the work, complete this modern free bass accordion masterpiece.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.3
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