马头琴音乐创作思维研究

发布时间：2018-11-26 13:12

【摘要】：马头琴是蒙古族特有的弓弦乐器,并且历史悠久。在传统社会中不同的部落之间对马头琴类乐器有不同的称谓和演奏方式。新中国成立后马头琴艺术得以迅速发展并取得成功。这种发展模式可称为“专业化”的发展模式。其中马头琴乐曲创作方面取得了最为瞩目的成绩。本文将研究历史阶段划定在20世纪后半叶的内蒙古地区。通过研究内蒙古地区马头琴作品,总结、归纳出马头琴音乐的创作思维。笔者将马头琴音乐创作思维主要分为三种：旋律写作思维、曲式结构思维、调式调性思维。最后一章试图阐述马头琴音乐创作形成以及是哪些因素影响马头琴音乐的创作马头琴音乐创作中的旋律写作思维又可分为：民歌式旋律写作思维(包括：长调民歌式旋律写作思维、短调民歌式旋律写作思维)、“马步”式旋律写作思维、器乐化动机式旋律写作思维等等。马头琴音乐创作中的曲式结构思维可分为：调式调性为主导的曲式结构思维(包括：调性为主导的曲式结构思维和调式为主导的曲式结构思维)、速度及节拍为主导的曲式结构思维。马头琴音乐创作中的调式调性思维可从两个角度研究。首先是认弦方案与马头琴音乐创作中的常用调性的关系,其次从马头琴音乐作品段落之间的调性关系窥探其调性布局思维。“认弦”思维在马头琴音乐创作中扮演着非常重要的作用。马头琴音乐创作的形成以及发展是受到一些因素的影响的。主要受到三个方面的影响：社会发展与时代变革的客观因素的影响、外来音乐文化的影响以及创作者个人的影响。
[Abstract]:Matouqin is a unique Mongolian bowstring instrument, and has a long history. In traditional society, different tribes have different appellations and ways of playing horseshoe instruments. After the founding of New China, the art of Matou Qin developed rapidly and succeeded. This development model can be called "specialization" development model. Among them the horse head piano music creation aspect has obtained the most remarkable achievement. In this paper, the historical stage of the study is divided into the Inner Mongolia region in the second half of the 20 th century. By studying the works of Matou piano in Inner Mongolia, the author sums up the creative thinking of Matou piano music. The writer divides the music creation thinking of Matouqin into three types: melody writing thinking, musical structure thinking and mode tonal thinking. The last chapter attempts to explain the formation of Matou piano music creation and the factors that affect the creation of Matou piano music. The melody writing thinking in Matou piano music creation can be divided into two parts: folk song melodic writing thinking (including: Long tune folk song style melody writing thinking, Short tune folk song style melody writing thinking), "horse step" type melody writing thought, instrumental motivation type melody writing thought and so on. The musical structure thinking in the music creation of Matou Qin can be divided into two parts: the musical structural thinking dominated by the tonality (including the musical structural thinking dominated by the tonality and the musical structure thought dominated by the mode). Speed and tempo as the dominant structure of the musical thinking. The tonal thinking in the music creation of Matou piano can be studied from two angles. The first is the relationship between the chord recognition scheme and the commonly used tonality in the musical creation of the Matou piano, and the second, the tonal arrangement thinking from the perspective of the tonal relationship between the musical passages of the Matou piano. The thought of recognizing strings plays a very important role in the music creation of Matou piano. The formation and development of Matou piano music creation are influenced by some factors. It is mainly influenced by three aspects: the objective factors of social development and the change of the times, the influence of foreign music culture and the personal influence of the creators.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J632.26

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