中国（大陆）电子音乐早期创作特点研究
发布时间：2018-11-28 18:27
【摘要】：中国(大陆)电子音乐早期创作是在西方电子音乐繁荣之时与中国现代音乐创作萌芽之初起步的。由于中国电子音乐在起步阶段的“断代”现象,因而在早期创作过程中,最早几位涉足电子音乐并在之后的电子音乐创作中有所成就的作曲家所采用的技术手段均不相同,亦不规范。这些作品既有以MIDI技术的为主的尝试性作品,也不乏合成器等多种不同类别的声音堆砌,也有在国外创作的较为成熟的电子音乐。 本文透过对这几部早期技术风格各异的作品的实例分析,阐述了中国电子音乐早期创作中的探索性特点、技术多样性特点,特别是民族性特点。文中明确指出了中国电子音乐早期创作的起步阶段缺乏理论指导和实践经验,因而,探索性与技术多样性的特点形成是客观的,而民族性特点则是中国电子音乐创作开端之时最鲜明、最具代表性的特点。民族性在早期作品中既体现于音乐的旋律、和声等各种传统音乐手法,也体现于作曲家选择中国民间神话或是中国古老的哲学思想为创作题材,并吸收西方音乐创作手法,把民族性深深的融入其中,而并非简单的模仿和照搬西方,或表层的嫁接或拿来主义的直接拷贝,具有明显民族风格的、东方“语汇”的创作思路为中国电子音乐后来的创新之路提供了一个可借鉴、参照的方向。
[Abstract]:The early creation of electronic music in China (mainland) started at the time of the prosperity of western electronic music and the beginning of Chinese modern music creation. Due to the phenomenon of "dating" in the initial stage of Chinese electronic music, the early composers who set foot in electronic music and made some achievements in the later electronic music creation all adopted different technical means in the early creative process. Nor is it standard. These works are not only experimental works based on MIDI technology, but also many kinds of different kinds of sound, such as synthesizers, but also mature electronic music created in foreign countries. Through the analysis of the examples of these works with different styles of early technology, this paper expounds the exploratory characteristics, technical diversity, especially the national characteristics in the early creation of Chinese electronic music. The paper clearly points out that the early stage of Chinese electronic music creation lacks theoretical guidance and practical experience, therefore, the characteristics of exploratory and technical diversity are objectively formed. The national characteristics are the most distinctive and representative characteristics of Chinese electronic music creation at the beginning. Nationality is reflected not only in the melody of music, harmony and other traditional musical techniques, but also in the composer's choice of Chinese folk mythology or ancient Chinese philosophy as the theme of creation, and the absorption of western musical creation techniques. The national character is deeply integrated into it, rather than simply imitating and copying the West, or the surface grafting or the direct copy of the doctrine of lattarianism, which has a distinct national style. The oriental vocabulary provides a reference for the innovation of Chinese electronic music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605
本文编号：2363868
[Abstract]:The early creation of electronic music in China (mainland) started at the time of the prosperity of western electronic music and the beginning of Chinese modern music creation. Due to the phenomenon of "dating" in the initial stage of Chinese electronic music, the early composers who set foot in electronic music and made some achievements in the later electronic music creation all adopted different technical means in the early creative process. Nor is it standard. These works are not only experimental works based on MIDI technology, but also many kinds of different kinds of sound, such as synthesizers, but also mature electronic music created in foreign countries. Through the analysis of the examples of these works with different styles of early technology, this paper expounds the exploratory characteristics, technical diversity, especially the national characteristics in the early creation of Chinese electronic music. The paper clearly points out that the early stage of Chinese electronic music creation lacks theoretical guidance and practical experience, therefore, the characteristics of exploratory and technical diversity are objectively formed. The national characteristics are the most distinctive and representative characteristics of Chinese electronic music creation at the beginning. Nationality is reflected not only in the melody of music, harmony and other traditional musical techniques, but also in the composer's choice of Chinese folk mythology or ancient Chinese philosophy as the theme of creation, and the absorption of western musical creation techniques. The national character is deeply integrated into it, rather than simply imitating and copying the West, or the surface grafting or the direct copy of the doctrine of lattarianism, which has a distinct national style. The oriental vocabulary provides a reference for the innovation of Chinese electronic music.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605
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