鄂尔多斯短调民歌及其演唱方法
发布时间：2019-01-04 11:51
【摘要】： 鄂尔多斯地区素有“歌海”之称，那里有着十分丰富的传统音乐文化底蕴。从历史上看，鄂尔多斯地区传统音乐门类齐全，民间音乐、宫廷音乐、祭祀音乐和宗教音乐都很发达。尤其是短调民歌与歌舞艺术，更是闻名遐迩，以其独特的民族风格，鲜明的地区特色，成为蒙古族传统音乐中的一个典型风格色彩区。从音乐形态方面来看，蒙古民歌可划分为长调民歌和短调民歌两大类，鄂尔多斯民歌也不例外。鄂尔多斯短调民歌是蒙古族传统音乐当中不可缺少的一部分。尤其它的演唱技巧已达到相当高的难度，而且有了一套系统的，表现它音乐风格的演唱方法。这对于演唱，继承和发展鄂尔多斯短调民歌，都具有深远意义。 硕士学位论文《鄂尔多斯短调民歌及其演唱方法》，对鄂尔多斯地区蒙古族短调民歌(以下简称鄂尔多斯民歌)进行了专门研究，重点论述其独特的演唱方法。论文是由五个部分构成的： 第一章：鄂尔多斯音乐概述。包括鄂尔多斯音乐的历史文化背景、鄂尔多斯音乐在蒙古族传统音乐中的重要地位。 第二章：鄂尔多斯短调民歌的音乐形态特点及音乐风格。本章对鄂尔多斯传统民歌及其歌种作了详细介绍论述。并列举出典型谱例，对音乐形态和音乐风格做了简要分析。 第三章：鄂尔多斯短调民歌的演唱的方法。本章是学位论文的重点内容，笔者通过鄂尔多斯民歌音响资料，以及实地采访民间歌手等活资料，对鄂尔多斯短调民歌的演唱形式、演唱技巧、演唱风格进行分析研究。并对短调民歌的演唱技巧作了初步探讨和总结。 第四章：鄂尔多斯短调民歌手。本章中介绍了几位鄂尔多斯地区的民间歌手和专业歌手。对敖登巴尔和扎木苏两位优秀民间歌手的艺术活动、演唱风格和技巧作了简略分析。 第五章：鄂尔多斯短调民歌的传播和传承。当前，传统民歌的传播和传承，，是蒙古族音乐所面临的一个重要问题。本章中讨论了传统民歌传播和传承的意义，以及总结了民歌传播和传承的两种方式、三种途径。 结语： 简要总结本文的基础上，对鄂尔多斯短调民歌的现状与未来发展前景，进行分析论述。并对有待深入研究的一些问题，提出了自己的看法。
[Abstract]:Ordos region is known as the "Gaohai", where there is a very rich cultural heritage of traditional music. Historically, traditional music in Ordos area is well-developed, including folk music, palace music, sacrifice music and religious music. Especially the folk songs and dance art of short tune is famous for its unique national style and distinctive regional characteristics, which has become a typical color area of Mongolian traditional music. From the aspect of music form, Mongolian folk songs can be divided into two categories: long tune folk songs and short tune folk songs, and Ordos folk songs are no exception. Ordos short tune folk song is an indispensable part of Mongolian traditional music. In particular, its singing skills have reached quite high difficulty, and there is a systematic performance of its musical style of singing methods. This has far-reaching significance for singing, inheriting and developing Ordos short tune folk songs. Master's thesis "Ordos short tune folk songs and their singing methods", Ordos region Mongolian short tune folk songs (hereinafter referred to as Ordos folk songs) is a special study, focusing on its unique singing methods. The thesis is composed of five parts: the first chapter: an overview of Ordos music. Including the historical and cultural background of Ordos music, the important position of Ordos music in Mongolian traditional music. Chapter two: the music form characteristic and music style of Ordos short tune folk song. In this chapter, the traditional folk songs and their species in Ordos are discussed in detail. In addition, the typical examples are cited, and the music form and style are briefly analyzed. The third chapter: the singing method of Ordos short tune folk song. This chapter is the key content of the thesis, the author through the audio materials of Ordos folk songs, as well as field interviews with folk singers and other living materials, to Ordos short tune folk songs singing form, singing skills, singing style analysis and research. At the same time, the singing skills of short tune folk songs are preliminarily discussed and summarized. The fourth chapter: Ordos short tune folk singer. This chapter introduces several folk singers and professional singers in Ordos area. This paper briefly analyzes the artistic activities, singing styles and techniques of two outstanding folk singers, Odembar and Zamusu. Chapter five: the spread and inheritance of Ordos short tune folk songs. At present, the spread and inheritance of traditional folk songs is an important problem faced by Mongolian music. This chapter discusses the significance of traditional folk song transmission and inheritance, and summarizes the two ways and three ways of folk song transmission and inheritance. Conclusion: based on the summary of this paper, the present situation and future development prospects of Ordos short tune folk songs are analyzed and discussed. And some problems to be further studied, put forward their own views.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J607
本文编号：2400254
[Abstract]:Ordos region is known as the "Gaohai", where there is a very rich cultural heritage of traditional music. Historically, traditional music in Ordos area is well-developed, including folk music, palace music, sacrifice music and religious music. Especially the folk songs and dance art of short tune is famous for its unique national style and distinctive regional characteristics, which has become a typical color area of Mongolian traditional music. From the aspect of music form, Mongolian folk songs can be divided into two categories: long tune folk songs and short tune folk songs, and Ordos folk songs are no exception. Ordos short tune folk song is an indispensable part of Mongolian traditional music. In particular, its singing skills have reached quite high difficulty, and there is a systematic performance of its musical style of singing methods. This has far-reaching significance for singing, inheriting and developing Ordos short tune folk songs. Master's thesis "Ordos short tune folk songs and their singing methods", Ordos region Mongolian short tune folk songs (hereinafter referred to as Ordos folk songs) is a special study, focusing on its unique singing methods. The thesis is composed of five parts: the first chapter: an overview of Ordos music. Including the historical and cultural background of Ordos music, the important position of Ordos music in Mongolian traditional music. Chapter two: the music form characteristic and music style of Ordos short tune folk song. In this chapter, the traditional folk songs and their species in Ordos are discussed in detail. In addition, the typical examples are cited, and the music form and style are briefly analyzed. The third chapter: the singing method of Ordos short tune folk song. This chapter is the key content of the thesis, the author through the audio materials of Ordos folk songs, as well as field interviews with folk singers and other living materials, to Ordos short tune folk songs singing form, singing skills, singing style analysis and research. At the same time, the singing skills of short tune folk songs are preliminarily discussed and summarized. The fourth chapter: Ordos short tune folk singer. This chapter introduces several folk singers and professional singers in Ordos area. This paper briefly analyzes the artistic activities, singing styles and techniques of two outstanding folk singers, Odembar and Zamusu. Chapter five: the spread and inheritance of Ordos short tune folk songs. At present, the spread and inheritance of traditional folk songs is an important problem faced by Mongolian music. This chapter discusses the significance of traditional folk song transmission and inheritance, and summarizes the two ways and three ways of folk song transmission and inheritance. Conclusion: based on the summary of this paper, the present situation and future development prospects of Ordos short tune folk songs are analyzed and discussed. And some problems to be further studied, put forward their own views.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J607
【引证文献】
相关期刊论文 前1条
1 黄淑梅;;声乐教学中的蒙古族民歌传承[J];艺术教育;2013年06期
相关博士学位论文 前1条
1 杨琼;论近代漠南蒙汉移民音乐[D];中央民族大学;2012年
相关硕士学位论文 前4条
1 阿丽;乌毛素沙漠中的民族音乐之魂[D];中国音乐学院;2011年
2 雷惠玲;湘西苗族民歌演唱艺术研究[D];湖南师范大学;2006年
3 田中娟;论浙西南香菇山歌的经济民俗特质[D];上海音乐学院;2006年
4 刘洪岩;内蒙古西路二人台演唱形态探析[D];内蒙古师范大学;2010年
本文编号：2400254
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