勋伯格《第四弦乐四重奏》十二音序列技法研究

发布时间：2019-01-05 04:14

【摘要】：阿诺德·勋伯格(Arnold Schoenberg,1874-1951),奥地利作曲家、理论家和音乐教育家,表现主义音乐的创始人。他一生创作了大量不同风格的作品,其中十二音技法是他作品中用得较多的技法之一,也是他理论研究的重要领域。本文以其创作后期的一部室内乐作品《第四弦乐四重奏》(Op.37)进行十二音技法的研究,同时也关注作曲家在后期作品中将传统技法与现代技法相融汇的创作特点与表现方式,对于深入了解作曲家的创作思路及其后期在十二音序列技法上的拓展等具有一定价值。该论文由绪论、三个章节及结语构成。绪论包括两个内容,一是有关选题缘起、研究现状的概述；二是关于勋伯格的生平与作品以及作曲家对其十二音作曲体系探索过程的简述。第一章研究作品的核心序列结构、乐章的十二音主题分析以及十二音序列原则在整部作品中的运用,在分析中重点关注序列的动机功能作用。第二章研究作品中的序列陈述形态,从常用的基本陈述形态与特殊陈述形态两个方面着手,分析十二音序列在作品中的音高布局与陈述方式。第三章研究作品中具有典型意义的序列“配对”关系,从其搭配形态、内在结构关系进行分析,重点从两个角度来关注其内在的结构关系,即组合性序列关系与对称音列关系。结语在总结全文的基础上,对该作品中对称原则的贯穿应用作理论性概括。
[Abstract]:Arnold Schoenberg,1874-1951, Austrian composer, theorist and music educator, founder of expressionist music. In his life, he has created a large number of works of different styles, among which the twelve tone technique is one of the techniques used in his works, and is also an important field of his theoretical research. In this paper, a chamber music work (Op.37) in the late stage of its creation is used to study the techniques of twelve notes. At the same time, it also pays attention to the creative characteristics and expression ways of the composers' combination of traditional techniques and modern techniques in their later works, which has certain value for further understanding of the composer's creative ideas and the later development of the 12-tone sequence techniques. The thesis consists of introduction, three chapters and conclusion. The introduction consists of two parts, one is an overview of the origin of the topic and the status quo of the research, the other is a brief account of Schoenberg's life and works, as well as the process of the composer's exploration of his 12-tone composition system. The first chapter studies the core sequence structure of the work, the analysis of the 12-tone theme of the movement, the application of the 12-tone sequence principle in the whole work, and focuses on the role of the motivation function of the sequence in the analysis. The second chapter studies the sequence statement form in the works and analyzes the pitch distribution and presentation mode of the 12-tone sequence in the works from two aspects: the basic statement form and the special statement form. The third chapter studies the relationship of sequence "pairing" which has typical meaning in the works, analyzes its collocation form and internal structural relationship, and focuses on its internal structural relationship from two angles, that is, combinatorial sequence relationship and symmetric phonetic sequence relationship. On the basis of summing up the full text, the conclusion makes a theoretical summary of the penetration and application of the principle of symmetry in this work.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614

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