论古典主义音乐与浪漫主义音乐传承的必然性
发布时间：2019-02-11 14:09
【摘要】： 古典主义时期与浪漫主义时期是欧洲音乐历史中的两个重要时期，“古典主义”精神与“浪漫主义”精神分别在当时得到最丰满的体现。既然十八世纪古典主义音乐极具艺术价值，为什么会在十九世纪让位于浪漫主义音乐?因此，本文的主旨就是从它们各自的风格特点出发，在时代背景演绎的空间中去寻求促成两者传承的因素以及思考这种文化现象的意义。 通过查阅相关资料进行分析归纳，全文从两个方面来论证其必然性：一是古典主义时期为何要演变到浪漫主义时期；二是为什么由浪漫主义音乐来传承古典主义音乐。在第一个方面的论证中，本文将以古典主义的精神实质为主线来阐述古典主义的渊源，分析不同的音乐风格在各个历史时期的作用和特点，由此看到古典主义精神贯越了整个音乐历史发展过程，只是在相应的古典主义时期找到了最符合其丰满、完善音乐结构的历史坐标。而由于人类对精神粮食的索取向来从无止境，古典主义时期在达到艺术表现力的最大值时又亟待另一种风格来填充人类的音乐欣赏需求，由此进行第二个方面的论证：时代的进步、思想的解放、个性的展现形成了浪漫风暴来临的天空，正是由于人类社会与思维的不断进步促使浪漫主义时期宣告其历史主角地位。同样，浪漫精神也不是从天而降，它也是流淌在持续的历史文化中，只是在古典主义时期之后找到了最适合其生根发芽的土壤，从而弥漫整个欧洲音乐界。 本文作出以下结论：各种艺术风格都有其服人之美，艺术风格不是一成不变的，是随着人类社会的发展而与时俱进的，今后的发展也是必然的。我们要客观、辨证地看待这些变化，取长补短，古为今用，，洋为中用，让音乐为人类提供最大限度的精神享受。
[Abstract]:Classicism period and Romantic period are two important periods in European music history. The spirit of "classicism" and "romanticism" got the most full expression at that time. Since classical music in the eighteenth century is of great artistic value, why did it give way to Romantic music in the nineteenth century? Therefore, the main purpose of this paper is to explore the factors that contribute to the inheritance of the two and the significance of thinking about this cultural phenomenon in the space of deduction in the background of the times, starting from their respective style characteristics. Through the analysis and induction of relevant materials, the thesis proves its inevitability from two aspects: first, why the classicism period evolves to the romanticism period; second, why the Romantic music inherits the classical music. In the first aspect of the argument, this paper will take the spirit essence of classicism as the main line to explain the origin of classicism, and analyze the function and characteristics of different musical styles in each historical period. From this, we can see that the spirit of classicism has gone through the whole development process of music history, but in the corresponding period of classicism, it has found the historical coordinate that is most suitable for its fullness and perfection of music structure. Since human demand for spiritual food has always been endless, in the period of classicism, when reaching the maximum of artistic expressiveness, another style was urgently needed to fill the music appreciation needs of human beings. Therefore, the second aspect of the argument: the progress of the times, the emancipation of thought, the display of personality formed the sky of the romantic storm, it is because of the continuous progress of human society and thinking that the Romantic period announced its historical protagonist position. Similarly, romantic spirit is not from the sky, it is also flowing in the continuous history and culture, but after the classicism found the most suitable soil for its roots, thus pervading the entire European music industry. This paper draws the following conclusions: all kinds of artistic styles have their own beauty, art style is not static, with the development of human society and with the development of the future is inevitable. We must objectively, dialectically view these changes, learn from each other, use the past for the present, and make use of the foreign, so that music can provide human beings with the greatest spiritual enjoyment.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605
本文编号：2419799
[Abstract]:Classicism period and Romantic period are two important periods in European music history. The spirit of "classicism" and "romanticism" got the most full expression at that time. Since classical music in the eighteenth century is of great artistic value, why did it give way to Romantic music in the nineteenth century? Therefore, the main purpose of this paper is to explore the factors that contribute to the inheritance of the two and the significance of thinking about this cultural phenomenon in the space of deduction in the background of the times, starting from their respective style characteristics. Through the analysis and induction of relevant materials, the thesis proves its inevitability from two aspects: first, why the classicism period evolves to the romanticism period; second, why the Romantic music inherits the classical music. In the first aspect of the argument, this paper will take the spirit essence of classicism as the main line to explain the origin of classicism, and analyze the function and characteristics of different musical styles in each historical period. From this, we can see that the spirit of classicism has gone through the whole development process of music history, but in the corresponding period of classicism, it has found the historical coordinate that is most suitable for its fullness and perfection of music structure. Since human demand for spiritual food has always been endless, in the period of classicism, when reaching the maximum of artistic expressiveness, another style was urgently needed to fill the music appreciation needs of human beings. Therefore, the second aspect of the argument: the progress of the times, the emancipation of thought, the display of personality formed the sky of the romantic storm, it is because of the continuous progress of human society and thinking that the Romantic period announced its historical protagonist position. Similarly, romantic spirit is not from the sky, it is also flowing in the continuous history and culture, but after the classicism found the most suitable soil for its roots, thus pervading the entire European music industry. This paper draws the following conclusions: all kinds of artistic styles have their own beauty, art style is not static, with the development of human society and with the development of the future is inevitable. We must objectively, dialectically view these changes, learn from each other, use the past for the present, and make use of the foreign, so that music can provide human beings with the greatest spiritual enjoyment.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605
【引证文献】
相关硕士学位论文 前1条
1 王文霞;西方浪漫主义音乐向现代音乐转变的必然性及原因分析[D];湖南师范大学;2010年
本文编号：2419799
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