马克思主义文艺理论视野中的中国钢琴创作民族化研究

发布时间：2019-02-09 19:39

【摘要】：钢琴传入中国近百年,中国的钢琴创作由照搬到改编,再到现在走出了一条多元化、个性化发展的道路。在钢琴创作走向成熟的过程中,它受到了马克思主义文艺理论的指导,而马克思主义对艺术创作和钢琴创作的影响中,民族化是重要的一个方面。通过民族化的实践和探索,钢琴创作实现了对中国传统文化的继承和发展,实现了借鉴外来的、多民族的优秀成果从而完成了马克思主义的大众化,实现了文艺为革命和建设服务的社会功用价值,因此民族化始终是马克思主义如何指导中国艺术实践的重要的线索。本文正是通过钢琴创作这一独特视角,分析和研究马克思主义的民族化、进而中国化的问题,进一步探讨了马克思主义文艺理论的深刻内容和精神实质,着重论述了马克思主义中国化在艺术领域的实现过程。本文主要采用历史与现实研究相结合、理论研究与具体实践研究相结合的方法,对中国钢琴创作的历程、类型、特点及音乐语汇等方面进行了新的审视,反映了中国钢琴创作在马克思主义文艺理论指导下民族化的全过程。通过运用马克思主义文艺理论来分析和研究中国钢琴创作的民族化问题,文章阐明了这一研究,对未来的中国钢琴创作沿着正确的方向前进具有重要意义,对于推陈出新创造出具有中国特色的钢琴音乐作品,丰富广大人民群众的精神世界具有重要功用,对于继承和发展优秀的多民族文化传统,并使之与外来先进文化相结合具有重要的实践作用。
[Abstract]:Piano was introduced into China for nearly a hundred years, and the piano creation in China changed from copying to adaptation, and now it has taken a diversified and individualized development road. In the mature process of piano creation, it is guided by Marxist literary theory, and nationalization is an important aspect in the influence of Marxism on art creation and piano creation. Through the practice and exploration of nationalization, piano creation has realized the inheritance and development of Chinese traditional culture, and realized the popularization of Marxism by learning from the outstanding achievements of foreign and multinational countries. It has realized the social function value of literature and art serving for revolution and construction, so nationalization is always the important clue of how Marxism guides Chinese art practice. Through the unique perspective of piano creation, this paper analyzes and studies the nationalization of Marxism and the issue of Sinicization, and further discusses the profound content and spiritual essence of Marxist literary theory. This paper mainly discusses the realization process of Marxism in the field of art. This article mainly adopts the method of combining history and reality research, theory research and concrete practice research, and makes a new survey on the course, type, characteristics and musical vocabulary of Chinese piano creation. It reflects the whole process of the nationalization of Chinese piano creation under the guidance of Marxist literary theory. Through the use of Marxist literary theory to analyze and study the nationalization of Chinese piano creation, the article clarifies that this study is of great significance for the future Chinese piano creation to advance in a correct direction. It has an important function in creating piano music works with Chinese characteristics, enriching the spiritual world of the broad masses of the people, and inheriting and developing excellent multi-national cultural traditions. And to combine it with foreign advanced culture has an important practical role.
【学位授予单位】：山西财经大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

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