浅析传播山西民歌的重要途径——以改编山西左权民歌合唱为例
发布时间:2018-01-05 20:38
本文关键词:浅析传播山西民歌的重要途径——以改编山西左权民歌合唱为例 出处:《音乐创作》2013年07期 论文类型:期刊论文
【摘要】:山西作为"民歌的海洋",目前保存了近三万首民歌。其以独特的艺术风格和鲜明的地方特色,备受学界青睐。作为山西民歌传播生力军的高校学生却对其知之甚少,甚至以为其是落后的、未经雕琢的音乐形式。其根本源于现下音乐院校的"西方音乐化"现象所致。合唱作为高校学生承认的一种方式,把其与地方民间音乐文化相结合是高校学生了解山西民歌魅力,并传承山西民族的有效手段。因而以合唱形式改编山西民歌是传承山西本土文化的重要途径。本文通过对山西民歌的代表——左权民歌为例,总结已有民间合唱改编作品中运用的创作技法,试图为山西民歌的传播寻找一条可行之路。
[Abstract]:Shanxi, as the "Ocean of Folk songs", has preserved nearly 30,000 folk songs, with its unique artistic style and distinctive local characteristics. The college students, who are the new force of Shanxi folk song dissemination, know little about it and even think it is backward. The uncarved music form, which originates from the phenomenon of "western musicalization" in the present music colleges, is regarded as a way for college students to admit it. To combine it with local folk music culture is for college students to understand the charm of Shanxi folk songs. And pass on the effective means of Shanxi nationality. So the adaptation of Shanxi folk songs in the form of chorus is an important way to inherit Shanxi native culture. This paper takes the representative of Shanxi folk songs-Zuo Quan folk songs as an example. This paper summarizes the creative techniques used in folk chorus adaptation works and tries to find a feasible way for the dissemination of Shanxi folk songs.
【作者单位】: 中北大学音乐系;
【基金】:山西省哲学社会科学课题:构建山西民歌传承体系研究
【分类号】:J607
【正文快照】: 山西,被誉为“民歌的海洋”。河曲;晋中之左权、太谷:吕梁之交城等地更是民歌生存的沃土。据有关学者的统计,,现下所保存的民歌将近三万首。但被熟知的却只有《交城山》、《桃花红、杏花白》等寥寥几首。究其根源,是作为传播生力军的高校学生对此没有深层次的了解。如此若
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