威尔第《安魂曲》中的复调思维和复调技法

发布时间：2018-01-08 10:07

本文关键词：威尔第《安魂曲》中的复调思维和复调技法　出处：《上海音乐学院》2010年硕士论文　论文类型：学位论文

【摘要】： 《安魂曲》是威尔第为数不多的音乐会作品之一。在这部宗教体裁的作品中,威尔第晚期的艺术观念、创作经验、对人生的感悟,通过旋律、和声、复调、乐队写作等一系列的音乐表现手段得了清晰的体现,从而使整部作品具有独特的效果。在简要对作曲家的生平和一般创作特征作了介绍之后,本文在文本分析的基础上对威尔第《安魂曲》中的复调技法和复调思维展开较为深入、细致、全面的研究。观察复调技法与戏剧性音乐语言相结合的现象以及复调思维在这部作品中的特殊表现形态,思考它们如何帮助作曲家组织乐思、配备织体、塑造形象、深化主题思想。作者认为对这一问题的系统研究和深入论述,将有助于对复调思维在创作中的功能的进一步解释。
[Abstract]:"Requiem" is one of Verdi's few concert works. In this religious genre, Verdi's late artistic concept, creative experience, feelings of life, through melody, harmony, polyphony. Band writing and a series of musical means of expression have been clearly reflected, so that the entire work has a unique effect. After a brief introduction to the life and general creative characteristics of the composer, this paper, on the basis of text analysis, makes a thorough and detailed analysis of the polyphonic techniques and polyphonic thinking in Verdi Requiem. Comprehensive study. Observe the combination of polyphonic techniques and dramatic musical language and the special manifestation of polyphonic thinking in this work, consider how they help composers to organize music, equipped with texture. The author thinks that the systematic study and in-depth discussion of this problem will be helpful to further explain the function of polyphonic thinking in creation.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614

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