20世纪以来中国巴松管艺术研究的研究

发布时间：2018-01-08 11:02

本文关键词：20世纪以来中国巴松管艺术研究的研究　出处：《黄河之声》2010年05期 　论文类型：期刊论文

【摘要】：20世纪下半叶是我国巴松管艺术得到长期发展的重要阶段,在这一时期,有关巴松管的理论研究逐渐展开并不断深入,取得了一定的科研成果。笔者将从巴松管的乐器研究、演奏与教学、作品与演奏家三方面加以阐述。通过梳理分析笔者认为,巴松管艺术研究在我国虽已初现成果,但由于起步较晚,从学科发展角度审视,相关研究仍存在选题重复,理论探讨不够深入及与其他相关学科研究的联系不够紧密的不足之处。
[Abstract]:The second half of 20th century is the important stage of the long-term development of the Basong tube art in China. During this period, the theoretical research on the bassoon tube gradually spread out and continued to deepen. Some scientific research achievements have been achieved. The author will expound from three aspects: the study of bassoon's musical instrument, the performance and teaching, the work and the performer, and the author thinks through combing and analyzing. Although Bassongguan art research in China has been the initial achievements, but due to the late start, from the perspective of discipline development, there is still a duplication of topics related to the study. The deficiency that the theoretical discussion is not deep enough and the relation with other related disciplines is not close enough.
【作者单位】：南京艺术学院;
【分类号】：J605
【正文快照】： 巴松管是鸦片战争爆发前后由欧洲引进,至今不过百年历史。其在中国真正意义上得到发展却是在新中国成立以后。如今,其相关研究已初具形态,据笔者统计,此期间在我国各类音乐期刊上发表的巴松管论文共计47篇,其中历史发展8篇,作品解析6篇,名家介绍2篇,演奏技法17篇。笔者从中选

【相似文献】