科尔沁蒙古族萨满仪式音乐研究

发布时间：2018-01-08 21:16

本文关键词：科尔沁蒙古族萨满仪式音乐研究　出处：《中央民族大学》2009年硕士论文　论文类型：学位论文

【摘要】： 本课题的研究对象是科尔沁蒙古族萨满仪式音乐。论文以内蒙古科尔沁地区蒙古族萨满仪式活动过程及其仪式音乐作为研究重点,以作者多次到科尔沁地区进行田野调查获得的第一手资料为基础,以美国音乐学家梅里亚姆所提出“概念、行为、音声”的三重认知模式为理论指导,运用文化人类学、音乐学、宗教学、民俗学等多学科的研究方法,对科尔沁萨满仪式、音乐结构、形态特征及其文化渊源等进行了较为全面的研究,力求客观地揭示科尔沁萨满仪式音乐在仪式中的展现和运用、以及其信仰体系、仪式、仪式音乐三者之间的互动关系,并探究其中蕴含的文化意义。科尔沁蒙古族萨满仪式历史悠久,源头可追溯到远古时期的巫术与原始宗教信仰活动。在漫漫的历史长河中,“蒙古博”不断浸润和积淀着丰厚的传统文化。音乐贯穿于整个仪式过程始终,与仪式程序浑然一体,历经时代变迁,绵延不断,延续至今,成为科尔沁蒙古族宝贵的传统音乐文化遗产。本文第一章从科尔沁蒙古族的概况及生存的历史、地理、语言、宗教、习俗、民族艺术等方面对研究对象做了基础性描述;第二章是仪式个案实录,比较细致地描述和研究了科尔沁蒙古族萨满仪式的时间地点、场地空间、结构程序、活动人物、音乐表现等,并将音乐置于仪式背景之中进行观察与研究;第三章对科尔沁萨满乐器形制及象征内涵、仪式音乐形态进行了研究,对音乐结构进行分析总结并给于解释;第四章从文化功能的角度,解释科尔沁萨满仪式及仪式音乐。主要从宗教功能、音乐功能以及音乐的传统积淀等方面阐释科尔沁仪式音乐的文化内涵。
[Abstract]:The study of this subject is Mongolian shaman ritual music of Mongolian shaman ritual activities of Inner Mongolia Horqin area and its ritual music as the research focus, with the author many times in Horqin area of field survey to obtain first-hand information based on American music scholar Meriam proposed "concept, behavior, cognitive model three sound" as the theoretical guidance, the use of cultural anthropology, music, religion, folklore and other multi-disciplinary research methods, of Korqin Shaman ritual, music structure, morphological characteristics and cultural origins were studied, in order to objectively reveal the display and use of Korqin Shaman ritual music in the ceremony, and the system of belief, ceremony, ritual music interactive relationship between the three, and to explore the cultural significance.
The Mongolian shaman ritual has a long history, can be traced back to ancient times of witchcraft and religion activities. In the long history, "Mongolia Bo" continuous infiltration and rich traditional culture. Music throughout the ceremony and ritual process, all blend into one harmonious whole program, after the changes of the times, continuously, continues today and become a valuable Mongolian traditional music cultural heritage.
The first chapter of this article from the general situation and the survival of the Mongolian history, geography, language, religion, custom, nationality art do a basic description of the research object; the second chapter is the case study on the ceremony, more detailed description and study of the Mongolian shaman ceremony of the time and place, space, structure of the program activities, characters, music, and music in the ceremony background through the observation and research; the third chapter of Korqin Shaman musical instrument shape and symbolic meaning, ritual music form were studied in music structure analysis and to explain; the fourth chapter from the perspective of cultural function, explain the Shamanism rites and ritual music.
The cultural connotation of Horqin ceremonial music is explained mainly from the aspects of religious function, music function and traditional accumulation of music.

【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J608

【引证文献】