敦煌音声人史料及其研究

发布时间：2018-01-18 03:13

本文关键词：敦煌音声人史料及其研究　出处：《中央音乐学院》2010年硕士论文　论文类型：学位论文

【摘要】： 以姜伯勤的《敦煌音声人略论》一文为起点,关于敦煌音声人的材料已搜集的比较彻底,前人研究的突出贡献在于确定“寺属音声”这一群体的存在。本文则在前人研究基础上,以敦煌音声人直接材料为主,同时敦煌遗书中搜寻与音声人相关的文学材料和经济史材料、在唐史传统材料中找到与该群体相关的音乐本体和制度材料,以期对唐-五代敦煌音声人有一个全面的认识和立体的定位。本文以唐-五代时期敦煌音声人的相关史料为切入点,将唐代音声人制度、寺庙依附人口政策用“音声人”这一线索贯穿起来,将“音声人”的作用定位为盘活中国音乐在各阶层、各领域、各朝代间连绵有续、推陈出新的源头。本文共分四章,第一章是对唐-五代敦煌音乐的概述,是从音乐本体和敦煌文学角度证明敦煌音声人的存在是唐音声人制度的一部分；尤其本文将敦煌歌辞的研究成果作为音声人制度充分实行的证据,是前人研究中所没有的。第二章是对敦煌音声人的研究,从隶属身份、社会地位、经济地位等方面进行研究并与唐代音声人制度进行对比。其亮点在于将敦煌会计文书、经济史等方面的研究成果拿来用作音声人收入的依据,做出十分精确细致的比较,由此直观的了解到音声人的经济状况。第三章是对敦煌寺属音声人的研究,将从敦煌寺院的经济政治地位、寺户制度的瓦解等方面解读寺属音声与寺院的微妙关系,并回溯寺庙音声供养的来源。特别是对于敦煌寺属音声人在寺户制度瓦解后的去向所作的猜测,是对唐末-五代音声人如何过渡为宋朝市民文化中的职业艺人这一过程的补充。第四章是以敦煌音乐和音声人为样本考察唐-五代音声人对音乐之传承流变的贡献,’强调“人”在音乐史研究中的重要性。
[Abstract]:Taking Jiang Boqin's essay "Dunhuang Sound Man" as the starting point, the material about Dunhuang sound person has been collected thoroughly. The outstanding contribution of previous studies is to determine the existence of the group "Temple belongs to sound". This paper, on the basis of previous studies, mainly focuses on the direct materials of Dunhuang sound people. At the same time, Dunhuang remains in search of literature and economic history materials related to the sound and sound people, and find the music ontology and system materials related to this group in the traditional materials of Tang history. With a view to the Tang-five dynasties Dunhuang sound people have a comprehensive understanding and three-dimensional positioning. In this paper, the Tang Dynasty-five dynasties Dunhuang Yin Shengren related historical data as a breakthrough point, the Tang Dynasty Yin Sheng people system, the temple dependent on the population policy with the "Yin Sheng Man" this clue runs through. The role of "Yin and Sheng Man" is defined as the source of rejuvenating Chinese music in all levels, fields and dynasties. This paper is divided into four chapters. The first chapter is an overview of Dunhuang music from Tang to five dynasties, which proves that the existence of Dunhuang sound person is a part of Tang Yin person system from the perspective of music Noumenon and Dunhuang literature. In particular, this paper regards the research results of Dunhuang songs as evidence of the full implementation of the phonetic and vocal person system, which is not found in previous studies. Chapter two is about the study of Dunhuang phonetic people from subordinate status and social status. Economic status and other aspects of the study and compared with the Tang Dynasty, the bright spot lies in Dunhuang accounting documents, economic history and other aspects of research results to be used as the basis for the income of phonetic people. To make a very precise and meticulous comparison, from this intuitive understanding of the economic situation of the voice of the people. Chapter three is the study of the Dunhuang Temple is the sound and sound people, will be from the economic and political status of the Dunhuang monastery. The collapse of the monastery system and other aspects of the interpretation of the delicate relationship between the sound of the temple and temple, and back to the origin of the sound of the temple, especially for the Dunhuang monastery of the voice of the people after the collapse of the temple house system to make a guess. It is a supplement to the process of how the phonetic people of the late Tang Dynasty and the five dynasties transitioned into professional entertainers in the civil culture of the Song Dynasty. Chapter 4th is a tribute to the evolution of the music of the Tang Dynasty and the five dynasties based on Dunhuang music and sound sound as samples. Offer. Emphasize the importance of "man" in the study of music history.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J609.2

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