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朱践耳《第一交响曲》的研究

发布时间:2018-02-10 16:28

  本文关键词: 朱践耳《第一交响曲》 合一法 主题分析 出处:《西南大学》2010年硕士论文 论文类型:学位论文


【摘要】: 在中国当代交响乐创作史中,朱践耳于1986年创作的《第一交响曲》是第一部比较成功的反映文革的作品。这部恢宏巨作的完成历时八年,作曲家殚心竭力,精益求精,无论在内容上,还是在形式上都进行了细致的处理和大胆的创新。作品的成功问世,标志着朱践耳交响曲创作源泉的开启,也确立其在中国近现代音乐史上不可动摇的重要地位。另外,分析《第一交响曲》的技法对于研究他的其它作品也具有借鉴意义。 论文主要分四章。第一章介绍朱践耳的生平及《第一交响曲》的创作背景;第二章对《第一交响曲》的各乐章主题加以分析,主要从主题材料构成、旋法及十二音技法等方面进行分析,从而揭示各个乐章之间的内在联系;第三章对交响曲中的特色节奏、节拍进行分析,展示他作品中节奏、节拍对于音乐的独特的结构力;第四章对交响曲的复调技法加以分析。 论文在分析《第一交响曲》的同时,也有意结合朱践耳其它交响曲中相同的一些技巧,以此探讨作曲家特有的“合一法”。理念。“合一法”理念其核心要旨便是将调性和无调性合一、民族性和世界性合一、有序和无序合一、确定与不确定合一、传统与现代合一等等。而作曲家的众多作品向世人展现的恰恰是现代技法、传统技法和民族特色的完美结合及演绎。《第一交响曲》以文革这一中国近现代历史上不堪回首的重要阶段为创作对象,作品渲染的是一种无处不在的人文主义情怀,而作曲家浓厚的历史意识和深刻的时代批判精神亦在作品中得到酣畅淋漓的表现。
[Abstract]:In the history of contemporary symphony creation in China, the first Symphony by Zhu Jianer in 1986 was the first successful work reflecting the Cultural Revolution. Both in content and in form, the works were carefully handled and boldly innovated. The success of the works marked the opening of the source of Zhu Jianer's symphony. In addition, the analysis of the techniques of the first Symphony is of great significance for the study of his other works. The thesis is divided into four chapters. The first chapter introduces Zhu Jianer's life and the background of the first Symphony, the second chapter analyzes the theme of the first Symphony, mainly from the theme material composition, In the third chapter, the characteristic rhythm and rhythm in the symphony are analyzed to show the unique structural force of the rhythm and rhythm to the music. Chapter 4th analyzes the polyphonic techniques of the symphony. While analyzing the first Symphony, the thesis also intends to combine some of the same techniques in Zhu Jianer's other symphonies. In this way, the author discusses the unique "one in one method". The core purpose of the "unity method" is to unify the tonality and the non-tonality, the nationality and the world, the order and disorder, and the unity of determination and uncertainty. The combination of tradition and modernity, and so on. And the many works of composers show the world exactly modern techniques, The perfect combination and deduction of traditional techniques and national characteristics. "Symphony No. 1" takes the Cultural Revolution, an important stage in the modern history of China, as the object of creation. The composer's strong historical consciousness and profound critical spirit of the times have also been shown in the works.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J605

【引证文献】

相关硕士学位论文 前1条

1 颜婷婷;希曼诺夫斯基《第三钢琴奏鸣曲》节奏结构研究[D];西南大学;2011年



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