演奏直觉研究
发布时间:2018-02-12 22:41
本文关键词: 演奏直觉 美学 审美活动 心理学 生理基础 出处:《西北民族大学》2010年硕士论文 论文类型:学位论文
【摘要】:直觉作为一种特殊的心理机制,贯穿于人类认知过程和创造活动的各个领域,它不仅在实践创造和科学认识中发挥着重要作用,还成为哲学、美学、心理学、神经学和脑科学等学科共同研究的对象。在艺术领域中,作为主体的演奏者通过表演完成艺术创作时,并未经过有意识的分析演绎,而是在对客体进行感性的审美观照的即刻,对艺术形象的内在意蕴有了不假思索迅速领悟的能力,这就是“演奏直觉”。 演奏直觉是一种不同于普通理性认识的心理认知,它的出现方式往往迅速而又直接,带有很强的瞬间性和或然性的特点,因此这种熟练的审美技能经常会营造出一种假象:似乎艺术创作和艺术鉴赏中的良好直觉力都是凭借着一种神秘的天赋审美功能而产生的。 其实演奏直觉并不神秘,它的出现包含着一个相当高级的心理过程,表面上看来是偶然所得,实际上却是一个经过了信息材料贮存和意识酝酿的必然结果。它产生于人的潜意识活动,是人在借助了艺术符号并参与了想象后做出的直接判断。它既包含了主体自身的直接感受,还包含了主体对客体的理性洞察和透视,是演奏者长期积累的音乐经验和审美素养在一系列复杂的心理因素的作用下受到某种激发而转化成的成果,是特定的心理结构的映射。 从美学角度看,它是演奏者长期的审美意识的建立与培养,是审美经验的积极反应;从心理学角度看,它是无意识向意识活动的飞跃和过渡;从生理机制的角度看,它是大脑左右半球协同沟通的的结果。本文拟采用美学和心理学知识相结合的方法,分析和探究演奏直觉的形成原因和这一感性化显现背后的理性成分。
[Abstract]:Intuition, as a special psychological mechanism, runs through various fields of human cognitive process and creative activities. It not only plays an important role in practical creation and scientific understanding, but also becomes philosophy, aesthetics, psychology, and so on. Subjects such as neurology and brain science. In the field of art, when the performer as the subject completes his artistic creation by performing, he does not undergo conscious analysis and deduction, but at the moment of the perceptual aesthetic view of the object. The inner meaning of artistic image has the ability to comprehend quickly without thinking, this is playing intuition. Playing intuition is a kind of psychological cognition which is different from ordinary rational cognition. It often appears in a rapid and direct way, with strong characteristics of instant and probability. Therefore, this skilled aesthetic skill often creates a false impression that the good intuition in artistic creation and art appreciation is generated by a mysterious natural aesthetic function. In fact, playing intuition is not mysterious. Its appearance involves a rather advanced psychological process, which on the surface appears to be accidental. It is actually an inevitable result of the storage of information materials and the gestation of consciousness. It is the direct judgment made by man after he has used artistic symbols and participated in imagination. It includes not only the direct feelings of the subject itself, but also the rational insight and perspective of the subject to the object. The music experience and aesthetic accomplishment accumulated by the players for a long time are the result of a series of complicated psychological factors, which are the reflection of the specific psychological structure. From the point of view of aesthetics, it is the establishment and cultivation of the performer's long-term aesthetic consciousness and the positive reaction of aesthetic experience; from the psychological point of view, it is the leap and transition from unconscious to conscious activity; from the perspective of physiological mechanism, It is the result of cooperative communication between the left and right hemispheres of the brain. This paper intends to use the method of combining aesthetic and psychological knowledge to analyze and explore the reasons for the formation of playing intuition and the rational component behind this perceptual manifestation.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J624.1
【参考文献】
相关期刊论文 前7条
1 谢玉兰;直觉的心理机制探新[J];涪陵师范学院学报;2002年02期
2 彭琰丽;;大脑左右半球功能转化及全脑开发[J];大众心理学;2007年09期
3 崔永杰;洛克的不可知论因素及反形而上学倾向[J];山东师范大学学报(人文社会科学版);2003年05期
4 李玲,孙桂杰;直觉思维的生理基础与心理机制初探[J];沈阳师范学院学报(社会科学版);1998年03期
5 刘恩久;;康德在意识论领域中的涉猎[J];心理学探新;1982年02期
6 周晓亮;直觉与演绎:笛卡尔的方法论选择及其困境[J];云南大学学报(社会科学版);2005年01期
7 钱学森;自然辩证法、思维科学和人的潜力[J];哲学研究;1980年04期
,本文编号:1506729
本文链接:https://www.wllwen.com/wenyilunwen/mzqiyue/1506729.html