黄虎威音乐创作风格研究

发布时间：2018-03-06 05:32

本文选题：黄虎威　切入点：中西结合　出处：《四川师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 黄虎威先生的音乐创作和研究贯穿了整个二十世纪后半叶与二十一世纪初期,清晰的反映了中国音乐创作在“中西结合”的新民族音乐道路上如何克服或避免“中国音乐西方化”这一悖论;如何在音乐创作中准确地体现中国传统文化特有的韵味、精髓;如何保持和发扬中国音乐文化的民族性;如何对民族的音乐语言与西方音乐理论进行整合等方面从借鉴到自我风格凸显的变化轨迹。黄虎威的音乐创作和理论研究始终在寻找一条“中西结合”的民族音乐发展之路。他对于西方各个时期的作曲技法与中国民族民间音乐素材结合的成功实践,为中国新民族音乐的发展指出了一种成功的方向。色彩性和声的创造应用,转调手法的大量更新,对音乐结构的创造使用说明了他对民族音乐的贡献是全方位的。黄虎威音乐作品的成功实践为中国民族音乐的发展探索了一条成功的路子,在拓宽创作思维,丰富音乐表现力,创新民族音乐语言等方面都具有积极的意义。他留给后人的不仅仅是优美的音乐作品,还有其丰富的创作思想内涵,值得人们去认真思考与研究。本文立足于前人的研究成果,以黄虎威的重要理论著作和音乐作品为切入点,全面梳理以其为代表的中国传统民族音乐与西方音乐理论的结合从萌芽到变化、发展的脉络;总结性的揭示黄虎威的音乐创作如何实现中国民族音乐与西方音乐理论的共存;具体认识及把握其作品的“中西结合”作曲技法的运用;并创新性的尝试从更广更深的角度去分析作品中对我国传统民间音调的借鉴,从而为二十世纪以来,中国民族音乐创作在民族性中探索“中西结合”之路的历程总结出创作经验。
[Abstract]:Huang Huwei's music creation and research throughout the second half of 20th century and the beginning of 21th century, It clearly reflects how Chinese music creation can overcome or avoid the paradox of "westernization of Chinese music" on the new national music road of "combination of Chinese and Western", and how to accurately reflect the unique charm and essence of Chinese traditional culture in music creation. How to maintain and develop the nationality of Chinese music culture, how to integrate the national music language with western music theory, etc. Huang Huwei's music creation and theoretical research are always looking for a way to develop "the combination of Chinese and Western" folk music. His successful practice of combining the composing techniques of various western periods with the Chinese folk music materials, It points out a successful direction for the development of Chinese new folk music. The creation and use of music structure shows that his contribution to national music is omnidirectional. The successful practice of Huang Huwei's music works has explored a successful way for the development of Chinese folk music, broadening his creative thinking and enriching his musical expressiveness. It is of great significance to innovate the language of national music, which is not only a beautiful musical work, but also a rich ideological connotation, which is worthy of serious consideration and study. Based on the previous research results, taking Huang Huwei's important theoretical works and music works as the breakthrough point, this paper comprehensively combs the context of the combination of Chinese traditional folk music and western music theory, which is represented by Huang Huwei from germination to change and development. In conclusion, it reveals how Huang Huwei's music creation realizes the coexistence of Chinese folk music and western music theory, and understands and grasps the application of composing techniques of "combination of China and the West" in his works. And innovative attempts from a broader and deeper perspective to analyze the works of traditional Chinese folk tone reference, so that since 20th century, The course of exploring the road of combining Chinese and Western in Chinese folk music creation summarizes the creative experience.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

【引证文献】