蒙语爱情歌曲歌词的人际意义研究

发布时间：2018-03-18 03:11

本文选题：蒙语爱情歌曲歌词　切入点：人际功能　出处：《内蒙古大学》2010年硕士论文　论文类型：学位论文

【摘要】： 如今,音乐与我们的生活密切相关。爱情歌曲在现代音乐中最为普遍。歌词作为一种特殊形式的语篇,被誉为“为演唱而写的口语语篇”。基于歌词语篇这一独特特点,我们应对其进行分析。然而,对于歌词的研究,语言学家及文体学家尚未给予应有的关注,到目前为止语言学界很少有研究对歌曲歌词的语言特征进行过全面而系统的论述,尤其是对蒙语爱情歌曲歌词的研究几乎没有。爱情歌曲歌词能反映人的情感,并体现了三类相关人群的互动,他们分别是歌词作者,演唱者和观众。而韩礼德所提出的人际功能恰恰就是语言体现人们交际互动的功能。因此,本文以蒙语爱情歌曲歌词作为研究对象,以韩礼德的系统功能语言学中的元功能作为理论基础来进行分析,旨在揭示蒙语爱情歌曲歌词是如何通过实现人际关系来影响听众的。本文精选了三十首人们熟知的蒙语爱情歌曲,从人际意义实现的三个方面,即语气、情态和人称代词的分布对其进行统计,将定性分析和定量分析相结合,进行了比较详尽的论述。本文经研究发现,无论在歌曲中还是在小句中,陈述语气都占绝大部分的数量,其次是疑问语气和祈使语气。而在情态方面高频率出现的词主要集中在蒙语的情态词和助动词,体现的是可能性及经常性,而非意愿和义务。在人称代词的使用方面,最常见的是第一人称“我”,其次是第二人称“你”,而第三人称很少出现。作为首次试探性研究,本文为功能语言学在歌词语篇中的研究提供了新的视角,拓展了蒙语语篇的研究范围,并有助于人们加深对蒙古族文化和价值观念的认识。由于相关研究较少,本人学识有限,希望有更多感兴趣的学者对此领域进行更加深入全面的研究和讨论。
[Abstract]:Nowadays, music is closely related with our life. Love songs are most common in modern music. The lyrics as a special form of discourse, known as the "singing for written spoken discourse." Lyric discourse with this unique feature, we should carry out the analysis. However, the lyrics study, linguists and stylisticians have not been given due attention, so far there have been few studies of linguistics on language features of song lyrics were thoroughly and systematically, especially the research on Mongolian love song lyrics. The little love song lyrics can reflect people's emotion, and reflects the interaction among three related groups they are the lyrics, authors, singers and audiences. Hallidy proposed the interpersonal function is the language reflects the function of interaction of people. Therefore, the Mongolian love song lyrics as The object of study, by Hallidy's meta function in systemic functional linguistics as the theoretical basis for analysis, to reveal the Mongolian love song lyrics is how to realize the interpersonal relationship to influence audience. This paper selected thirty first known as the Mongolian love song, from the three aspects of the realization of interpersonal meaning, mood, modality and person the distribution statistics of the pronoun, the combination of qualitative analysis and quantitative analysis, are compared in detail. In this paper, the study found that in both songs or in small sentences, declarative mood accounted for most of the number, followed by the interrogative and imperative mood. While the high frequency appears in the mood the word is mainly concentrated in the Mongolian verbs, modal adjuncts and reflects the possibility and often, but not inclination and obligation. In the use of the personal pronouns, the most common is the first person" I, "the second person" you ", and the third person rarely appears as the first exploratory research, this paper provides a new perspective for the study of functional linguistics in the lyrics in discourse, widen the research scope in the discourse, and help people to deepen their understanding of Mongolian culture and values. Because of the relatively few studies, my knowledge is limited, hope that more scholars interested in this field for more in-depth research and comprehensive discussion.

【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614.9

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