唐代艺伎与唐声诗的传播

发布时间：2018-03-22 18:52

本文选题：唐代　切入点：声诗　出处：《哈尔滨师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 文学与音乐这两门艺术的交融自古就相伴相生,对于音乐文学的研究也一直是个引人入胜的课题,相对而言,为了配合音乐的节奏、旋律,文学往往要在体制与格律上有更多的变化从而形成一种特定的美学风格。有文学以来,就存在着传播的问题,传播是文学得以存在和发展的前提条件。和之前的朝代相比,唐诗的传播有其特殊性,艺妓的存在也是由来已久,在唐代,唐朝诗歌的传播除了书写和朗诵两种方式以外,还有一个更重要的传播方式——传唱,唐代的乐工和歌妓与文人之间默契合作,为诗歌的广泛传唱营造了良好的传播途径。本文从宫廷乐工和青楼歌妓入手,在简单探讨了诗歌与歌妓的发展脉络外,主要是以唐代诗歌为载体,进一步探讨艺妓对声诗的传播所起到的积极作用,考察唐代乐伎在与诗人交往过程中通过不同的途径对唐代诗歌创作所产生的影响。本文共分四章: 第一章:唐代艺伎与声诗的概述,对青楼文化的由来和诗歌入乐的的形式进行了整体的概述,包括青楼的历史传承和唐代艺伎的整体概况以及诗歌与音乐如何结合等。第二章:唐代声诗在宫廷的传播,论述声诗在宫廷中的传播,主要是宫廷的乐伎和乐工,他们以何种方式传播,以及乐伎与文人的关系,传播的方式以及她们对诗歌创作的影响等。第三章:唐代声诗在民间的传播,主要集中在青楼,青楼歌妓与文人的关系,传播方式,青楼与宫廷的音乐机构之间的联系,以及代表人物。第四章:乐工歌妓演唱诗歌的专业化和职业化,有了专门演唱诗歌的乐工和歌妓,也有诗人专门为她们写作诗歌,这些乐工和歌妓具备较高的文学素养,能够在传唱的过程中有意识的对诗歌进行二次创作,从而影响着唐诗的发展。
[Abstract]:The combination of literature and music has been associated with each other since ancient times, and the study of music literature has always been a fascinating subject. Relatively speaking, in order to match the rhythm and melody of music, Literature often needs more changes in system and rhythm to form a particular aesthetic style. Since literature, there has been a problem of communication, which is a prerequisite for the existence and development of literature. The dissemination of Tang poetry has its particularity, and the existence of geisha has a long history. In the Tang Dynasty, in addition to writing and reciting, there is also a more important way to spread poetry-singing. The tacit cooperation between music workers and geisha and literati in the Tang Dynasty created a good way to spread poetry widely. In this paper, starting with palace music workers and gay-house geisha, besides simply discussing the development of poetry and geisha, mainly taking Tang Dynasty poetry as the carrier, this paper further discusses the positive role played by geisha in the dissemination of sonorous poems. This paper investigates the influence of music-geisha on poetry creation in Tang Dynasty through different ways in the process of communication with poets. This paper is divided into four chapters:. The first chapter: an overview of geisha and sonorous poetry in the Tang Dynasty, the origin of the Qinglou culture and the form of poetry into music, including the historical heritage of Qinglou and the general situation of geisha in Tang Dynasty, as well as the combination of poetry and music. Chapter two: the spread of sonorous poetry in the court of Tang Dynasty. It discusses the spread of sonorous poetry in the court, mainly the music play and the music work of the court, how they spread, and the relationship between the music play and the literati. The way of communication and their influence on poetry creation. The third chapter: the spread of the song poems in the Tang Dynasty, mainly concentrated on the Qinglou, the relationship between the brothel and the literati, the way of communication, the relationship between the Qing Lou and the music organization of the court, and the representative figures. Chapter four: the specialization and professionalization of music workers and geisha singing poems, there are musicians and geisha who sing poems specially, and some poets write poems specially for them, these musicians and geisha have higher literary literacy. In the process of singing, poetry can be consciously re-created, thus affecting the development of Tang poetry.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J60-05

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