视唱练耳教学中唱名法的理论与实践研究

发布时间：2018-04-24 01:37

本文选题：唱名法 + 首调唱名法　；参考：《东北师范大学》2009年硕士论文

【摘要】： 视唱练耳课作为基本乐科的重要组成部分,是一门技术性、艺术性和师范性都很强的课程。而视唱在视唱练耳课中又占有中心地位,视唱训练中的唱名法问题一直是一个有争议的话题。各种唱名方法的应用中究竟孰优孰劣,国内音乐界争论了几十年,莫衷一是。本文就唱名法的理论发展、音乐教育专业视唱教学中采用何种唱名法为宜以及对各唱名法训练方法的问题,通过具体的教学实践分别进行理论的剖析与探讨。本文共分为四章。第一章,唱名法的由来以及发展。这一章主要讲唱名法的产生、创建、改革以及发展,还分别介绍了我国唱名法的发展情况和各种唱名法的应用现状。11世纪初,圭多·达莱佐的六声音阶理论开启了唱名法的大门。他把纽姆符号摆放在4根平行线上,从而明确了音高,后来在每根线的开端标上一个拉丁字母表示线的绝对音高,这便是如今使用的谱号的雏形。他以《圣约翰赞美诗》六句歌词中每一句的第一个音节作为音级名称:ut、re、mi、fa、sol、la,目的是帮助记忆从G或C开始的六个音级的全音与半音的排列,也就是说在C-D-E-F-G-A这样的排列中,E-F之间为半音,其他均为全音。圣咏记谱定型为四线谱,这是音乐科学的伟大成就。唱名法经过多次改进终于形成了一直沿用至今的七个唱名的唱名体系。第二章,固定唱名法和首调唱名法的结合与转换。这一章主要讲两种唱名法结合与转换时的原则与方法。第三章,两种唱名法在中外教学中的应用。这一章是文章的主体部分,主要介绍题目中所说的唱名法的实践研究。第四章,对新唱名法的探索。这一章是对目前新兴的唱名法的研究。
[Abstract]:As an important part of basic music, solfeggio is a highly technical, artistic and normal course. Solfeggio plays a central role in solfeggio training, and the question of singing name in solfeggio training has always been a controversial topic. The domestic music industry has been arguing for decades about which is better or worse in the application of various singing methods. In this paper, the author analyzes and discusses the theoretical development of the method of singing name, the proper method of singing name in the teaching of music education specialty, and the training methods of each method of singing name, respectively through the specific teaching practice. This paper is divided into four chapters. The first chapter, the origin and development of the name-singing method. This chapter mainly talks about the emergence, creation, reform and development of the roll-name method. It also introduces the development of the roll-name method in China and the current situation of its application in the early 11th century. Guido Dallezzo's six-voice theory opened the door to the name-singing method. He fixed the pitch on four parallel lines, and later marked the beginning of each line with a Latin letter indicating the absolute pitch of the line, which was the embryonic form of the spectral number used today. He used the first syllable of each of the six verses of St. John's hymn as the phonetic name:: utterre mimifa sola, in order to help remember the arrangement of the whole and the semitones of the six scales beginning with G or C, This means that in an arrangement like C-D-E-F-G-A there is a semitone between E-F and the rest is full. It is a great achievement in music science that the hymn is shaped into four lines. The method of singing names has been improved many times to form the system of seven names that have been used until now. Chapter two, the combination and transformation of fixed-name method and first-tone-name method. This chapter mainly talks about the principles and methods of the combination and transformation of the two methods of singing and naming. The third chapter, the application of two kinds of singing method in Chinese and foreign teaching. This chapter is the main part of the article, mainly introduces the title of the name of the practical research. The fourth chapter, the exploration of the new singing method. This chapter is a study of the emerging method of singing names.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J613.1

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