1980年至2008年中国汉传佛教音乐研究述评

发布时间：2018-05-18 19:09

本文选题：汉传佛教 + 寺院音乐　；参考：《中央音乐学院》2010年硕士论文

【摘要】： 宗教在人类精神活动领域中,一直占据着重要的地位,它与哲学、历史学、文学等人文学科之间有着不可分割的联系。佛教作为世界二人宗教之一,在中国的发展距今已有两千多年的历史。它以其悠久的历史积淀、成熟的理论体系和深厚的佛教教义,对中华民族文化艺术的发展起着不容忽视的作用。汉传佛教音乐是随着印度佛教传入中原地区后应运而生的,为“佛教寺院和信众在举行宗教仪式时所用的音乐。佛教认为音乐有‘供养’、‘诵佛’作用。法华经·方便品云：‘歌呗诵佛德,乃至一小音,皆以成佛道’”。①汉传佛教音乐作为佛教理论与中国传统音乐相交叉的边缘学科,它既是佛教清规、仪轨与中国传统音乐相结合的结果、也是佛教与汉族文化融合的产物,这种环环相扣的关系造成了汉传佛教音乐的诸多特殊性。改革开放以来,随着我国宗教信仰自由政策的落实,佛教文化的传播和影响在大陆社会迅速扩大,佛学研究成果斐然,其中,佛教音乐方面的研究也是硕果累累,学者公开发表论文六百余篇、著作十余部。回顾这些论著,笔者发现,经过国内学者几十年的努力,佛教音乐研究不断向纵、深领域延伸,但与音乐学其他学科相比,佛教音乐的宏观研究相对滞后,还未有学者对这些佛教音乐研究成果进行全面的梳理,无法对佛教音乐研究的整体情况做出把握。因此,笔者运用历史学的研究方法对1980年至2008年汉传佛教音乐研究成果进行梳理、归纳和反思,旨在厘清近二十年汉传佛教寺院音乐、法事音乐、佛教音乐历史、佛教音乐思想、佛教石窟壁画音乐形象、佛教乐器、弘一法师及其佛教歌曲创作等方面的研究特征、嬗变过程及历史规律,窥视三十年间中国大陆佛教音乐研究在音乐学和佛学研究中的地位,探究三者之间的内在联系,以期对其他学科的研究起到借鉴的作用。
[Abstract]:Religion has always occupied an important position in the field of human spiritual activities, and it is inextricably related to the humanities such as philosophy, history, literature and so on. As one of the two-person religions in the world, Buddhism has a history of more than two thousand years in China. With its long history, mature theoretical system and profound Buddhist doctrine, it plays an important role in the development of Chinese culture and art. Han Buddhist music came into being after Indian Buddhism was introduced into the Central Plains, which is used by Buddhist monasteries and believers in holding religious ceremonies. Buddhism believes that music has the function of'feeding the Pao'and reciting the Buddha. "1.The Buddhist music of the Han Dynasty is regarded as a borderline subject that intersects Buddhist theory with Chinese traditional music. It is a Buddhist discipline," he said. The combination of ritual and Chinese traditional music is also the result of the fusion of Buddhism and Han nationality culture, which leads to the particularity of Han Buddhist music. Since the reform and opening up, with the implementation of the policy of freedom of religious belief in China, the spread and influence of Buddhist culture has expanded rapidly in mainland China. Scholars published more than 600 papers and more than ten books. Reviewing these works, the author finds that through the efforts of domestic scholars for decades, the study of Buddhist music continues to extend to the longitudinal and deep fields, but compared with other subjects of musicology, the macroscopic study of Buddhist music lags behind. No scholars have made a comprehensive analysis of the achievements of Buddhist music research, and can not grasp the overall situation of Buddhist music research. Therefore, the author makes use of the historical research method to sort out, summarize and reflect on the research achievements of Han Buddhist music from 1980 to 2008, in order to clarify the history of Han Buddhist temple music, legalistic music and Buddhist music in the last two decades. The research features, evolution process and historical rules of Buddhist music thought, music image of Buddhist grottoes murals, Buddhist musical instruments, Hongyi Master and his Buddhist song creation, etc. This paper looks at the position of Chinese mainland Buddhist music research in musicology and Buddhist studies during the past 30 years and explores the internal relations between them in order to play a reference role in the study of other disciplines.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J608

【引证文献】