《乐学轨范》唐部乐器之研究

发布时间：2018-05-26 19:44

本文选题：唐乐 + 唐乐器　；参考：《上海音乐学院》2009年博士论文

【摘要】： 本文由绪论、正文、结论三个主要部分构成。绪论部分主要陈述了本课题的研究目的与意义、研究方法、前人的研究现状。正文部分,从四个方面对朝鲜前期(1392-)的唐乐器研究进行阐述。一、韩国古三国时期在朝鲜半岛存在的乐器。主要是考察有关高句丽、百济、新罗的文献和考古学史料中出现的乐器,指出韩国古三国的上述乐器有相当一部分接受了中国的,而新罗在统一朝鲜半岛以后接受高句丽、百济的乐器;二、高丽时期在朝鲜半岛存在的乐器。主要考察在高丽时期接受中国的先进音乐的情况和其作用;三、朝鲜前期在宫廷所使用的中国俗乐器的变化。主要考察朝鲜前期文献中记载的唐乐器的变化,而且在《乐学轨范》“唐部乐器图说”渊源的来源和考察在朝鲜前期使用的13种唐乐器中11种乐器的韩国化过程;四、古朝鲜半岛的音乐机构。主要考察朝鲜前期宫廷音乐机构与官职的渊源与构成,而在其一世纪左右的发展过程中唐乐在朝鲜的地位和乐器的韩国化过程的一面。本文在结论部分提出,在朝鲜时期唐乐的发展和唐乐器的韩国化的大背景下,朝鲜世宗和成宗时期唐乐器的变化呈现出显著的区别。在世宗时期(1418-1450)开始整备乐器,新创作乐曲,整理雅乐等等的音乐文化事业中,需要了一种朝鲜音乐的发展,到成宗时期(1469-1494)以后很多中唐乐器本身已经有不少的变化,而且这些乐器在朝鲜本土音乐伴奏时也使用。自此,宫廷音乐中乐的成分得到了极大的加强。所以通过研究高句丽、百济、新罗和高丽时期从中国进来的乐器,可以发现:朝鲜前期除了雅乐的极大的发展以外,还具有唐乐的发展及其音乐的韩国化,而且在一定程度上也经历了唐乐器的韩国化过程。
[Abstract]:This paper consists of three main parts: introduction, text and conclusion. The introduction mainly describes the purpose and significance of the research, the research methods, and the current situation of previous research. Body part, from four aspects of the Korean early stage of 1392 -) Tang Musical instrument study was expounded. The first is the musical instrument that existed on the Korean Peninsula during the three Kingdoms period. It is mainly to examine the instruments appearing in the literature and archaeological historical materials of Koguryo, Baiji and Silla. It is pointed out that some of the above-mentioned instruments in the three countries of Korea have accepted Chinese ones, while Silla accepted Koguryo after the reunification of the Korean Peninsula. Baiji instruments; second, the Korean peninsula during the Korean period of the musical instruments. It mainly examines the reception of Chinese advanced music in Korea and its role; third, the changes of the Chinese popular musical instruments used in the court in the early period of Korea. This paper mainly studies the changes of Tang musical instruments recorded in the early Korean literature, and the origin of Tang Bu's musical instruments' picture theory in Le Xue Fan and the Korean process of 11 of the 13 Tang musical instruments used in the early period of Korea. A musical institution on the Korean peninsula. This paper mainly examines the origin and composition of the court music organizations and official posts in the early period of Korea, and the position of Tang music in Korea and the South Korean side of musical instruments in the process of its development in the first century or so. In the conclusion part, it is pointed out that under the background of the development of Tang Le in Korean period and the South Korean of Tang musical instruments, the changes of Korean Shizong and Chengzong Tang musical instruments show significant difference. During the period of Shizong (1418-1450), he began to prepare musical instruments, compose new music, arrange elegant music, and other musical and cultural undertakings, and needed a kind of development of Korean music. By the time of becoming an emperor, there had been many changes in the instruments themselves in the mid-Tang Dynasty. And these instruments are also used when accompanied by North Korean native music. Since then, the music in court music has been greatly strengthened. Therefore, by studying the musical instruments that came in from China during the periods of Koguryo, Baiji, Silla and Koryo, we can find that in the early stage of Korea, in addition to the great development of elegant music, it also had the development of Tang Le and its South Korean music. To some extent, it also experienced the Korean process of Tang musical instrument.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J609.2

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