20世纪中国笛乐

发布时间：2018-05-26 22:15

本文选题：20世纪中国笛乐发展 + 笛家　；参考：《中国艺术研究院》2010年博士论文

【摘要】： 绪论是对本文研究对象的取域：从型制上划定研究范围,就历史沿革来厘清乐器起源、类属等问题；对20世纪前人已有的研究成果进行综述。前四章陈述20世纪中国笛乐发展。第一章记述20世纪初期笛子在各地民间音乐中担当的比重不同角色。长期以来,大多数演奏者,或是自娱自乐,或是在乐队中身兼数职,皆因其草根本色而分散于各地未被载入史册。自“新音乐”在中国萌发,笛子也加入弄波风潮,逐渐成为舞台艺术的一员。第二章探讨1953-1965年的情况。1953年冯子存参加“全国音乐舞蹈会演”,成为笛乐舞台独奏先锋,笛乐也因此在表演形式、表演者社会地位、创作模式等方面脱胎换骨,产生一批以民间音乐为依托的作品与表演者。1956年“全国音乐周”笛曲《早晨》问世,象征着南北笛乐分驰并存在同一首乐曲中,地域风格界线逐渐消弭。紧随而起的大量笛曲与专业演奏者,受音乐院校教育影响,在演奏与创作上逐渐脱离了与地方风格紧密联系状态,融入作曲意识。为满足不同类型乐曲的演奏需求,乐器改良成为此时期的热点。此阶段笛乐朝“专业化”、“科学化”、“系统化”方向发展。不容忽视的是,“国家在场”意识的与19世纪以来的“西乐东渐”,对时代观念、行为,皆有强大的主导作用。第三章着重于对文化大革命时期笛乐的探讨,时间从1966-1976年。吹奏朗朗上口的红色歌曲,向样板戏学习,使得笛曲越练越具备“歌乐化”、“声腔化”的特质。第四章论述1976年至20世纪末的发展情形。1977年恢复高考,音乐院校恢复招生,“改革开放”浪潮使得笛乐从“一”走向多元化。1982年,文化部举办的“全国器乐观摩演出”,使得新一代笛子演奏者崭露头角。在作曲家笔下,有别于传统音乐的作曲语汇,为笛乐创造了新的意象空间；女性演奏者的出现,不再囿于传统的社会身分与形象,大胆参与到消费文化中；海峡两岸笛乐文化交流使彼此资讯相互容受,台湾笛界举办国际性笛子协奏大赛,塑造新的时代经典,对大陆笛乐经典进行了一系列再塑造、再定位。结语是对全文的总结,经由对过往发展的归纳,希冀提供未来发展的经验与方向。
[Abstract]:The introduction is to draw the domain of the research object of this paper: delimit the research scope from the system of type, clarify the origin of the musical instrument and the category of the musical instrument in the historical evolution, and summarize the existing research achievements of the people before the 20th century. The first four chapters describe the development of Chinese flute music in the 20 th century. The first chapter describes the different roles played by flute in folk music in the early 20 th century. For a long time, most performers, either entertaining themselves, or performing multiple roles in a band, have been scattered throughout history because of their roots. Since the "New Music" germinated in China, flute also joined the wave tide, gradually become a member of stage art. The second chapter discusses the situation from 1953 to 1965. In 1953, Feng Zicun participated in the National Music and Dance Concert, and became a pioneer of the flute stage soloist. As a result, the flute music was transformed in the form of performance, the social status of the performer, the creative model, and so on. A number of folk music based works and performers. 1956 "National Music week" flute music "morning" came out, symbolizing the north and south flute music split and exist in the same music, the regional style boundaries gradually eliminated. A large number of flute and professional performers, influenced by music college education, gradually separated from the close relationship with the local style in performance and creation, and integrated into the composition consciousness. In order to meet the needs of different types of music, musical instrument improvement has become a hot spot in this period. In this stage, the direction of "specialization", "scientization" and "systematization" developed. What can not be ignored is that the consciousness of "state presence" and the "evolution of the west and the east" since the 19th century have played a strong leading role in the concept and behavior of the times. The third chapter focuses on the discussion of flute music during the Cultural Revolution, from 1966 to 1976. Playing a long red song, learning from the model opera, making the flute more and more with the characteristics of "song and music", "voice". The fourth chapter discusses the development from 1976 to the end of the 20th century. The college entrance examination was resumed in 1977, and the enrollment of music colleges was resumed. The wave of "reform and opening up" made the flute music follow "one" to diversify. In 1982, the Ministry of Culture organized the "National instrumental Music viewing performance". To make a new generation of flute players stand out. In the composer's works, different from the traditional music, it creates a new image space for flute music, the appearance of female players is no longer confined to the traditional social status and image, and they participate in the consumption culture boldly. The exchange of flute and music culture between the two sides of the Taiwan Strait makes each other feel each other's information. Taiwan flute circles hold an international flute association competition to create a new era of classics and remodel and reposition the mainland flute music classics. The conclusion is a summary of the full text, through the induction of the past development, hope to provide the future development experience and direction.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J632.11

【引证文献】