移居香港的大陆作曲家研究（20世纪30-80年代）

发布时间：2018-05-27 21:41

本文选题：香港音乐 + 香港作曲家　；参考：《中央音乐学院》2009年博士论文

【摘要】：香港,这是国人瞩目的地方。由于复杂的政治、历史原因,在上个世纪80年代之前,我们对香港音乐发展历史知之甚少,直到改革开放的80年代之后,才逐渐有了一些交流和了解。由于香港的历史背景和社会制度的特殊性,造成了音乐的发展情况与大陆有很大的差异。现在,这个地区已经回归祖国,历史的段落性已形成。对于她那段历史事实,需抱有积极态度掌握材料,用实事求是的科学态度,自然可以放笔直书。本论文《移居香港的大陆作曲家研究(20世纪30-80年代)》,“绪论”之后,分述三章,以时间为序,以史实为纲,以具体作曲家事件为目,即第一章萌芽期(20世纪30-40年代);第二章拓展期(20世纪50-60年代);第三章黄金期(20世纪70-80年代),最后一部分是本论文的结语。本论文研究的对象是“移居香港的大陆作曲家”,他们是在20世纪30年代抗战爆发至80年代先后移居香港,按照祖籍或出生地来为其定义的作曲家。论文中“大陆作曲家”的提法涵盖了——1、在大陆或海外出生,并且在大陆成长和接受专业音乐教育的作曲家;2、从30年代以来,由大陆移居香港,在英国政府管理下生活、创作的作曲家。本文将半个多世纪以来,移居香港的大陆作曲家在香港的音乐活动,进行了筚路蓝缕般地分段、分类阐述,对他们在香港的音乐历史上的影响进行了总结与评价。本文研究将立足于音乐学方法,即运用音乐史学、音乐美学、音乐社会学、民族音乐学等分学科的诸种方法。特别是由于香港的特殊政情关系,以及中国土地、英国统治、广东居民——构成了香港音乐的多文化、跨文化特点。因此在对其音乐文化进行研究时,会特别结合音乐社会学的研究方法和手段,即研究社会群体的地理环境、人口的分布、数量及密度、人们之间的交往情况等,物质类社会形态方面的社会事实;研究宗教、习俗、时尚、舆论、公共情感等制度性和非制度性文化等方面的非物质类社会事实对香港音乐发展的影响。深入研究大陆作曲家在香港的专业音乐成就和贡献,在当地的文化身份认同,以及对香港当下音乐现状的评价及前景的展望等等,不仅有助于推动香港音乐整体的全面研究,而且可以填补香港音乐史研究方面的不足,从而促进“中国音乐史”的研究工作全面深入。
[Abstract]:Hong Kong, this is the national attention. Due to complicated political and historical reasons, before the 1980s, we knew very little about the history of music development in Hong Kong. It was not until the 1980s that we began to have some exchanges and understanding. Due to the particularity of Hong Kong's historical background and social system, the development of music is quite different from that of mainland China. Now that the region has returned to the motherland, the passage of history has been formed. For her historical facts, must have a positive attitude to grasp the material, with a practical and scientific attitude, can naturally keep a straight book. "the study of mainland Composers who emigrated to Hong Kong in the 30-80 's of the 20th Century". After "introduction", it is divided into three chapters, with time as the order, historical facts as the outline, and concrete composer events as the object. The first chapter is the budding period of the 20th century, the second chapter is the extension period of the 20th century 50-60 's, the third chapter is the golden period of the 20th century 70-80 's, the last part is the conclusion of this paper. The object of this thesis is "mainland composers who emigrate to Hong Kong". They are composers who emigrated to Hong Kong in the 1930s to 1980s, according to their ancestral or birthplace. The reference to "mainland composers" in the paper covers the expression "mainland composers" 1.Composers born in the mainland or abroad, and who grew up and received professional music education in the mainland, have since the 1930s moved from the mainland to Hong Kong to live under the British government. A composer who creates. In this paper, the music activities of the mainland composers who emigrated to Hong Kong for more than half a century have been painstakingly divided, classified and expounded, and their influence in the music history of Hong Kong has been summarized and evaluated. This study will be based on the methods of musicology, that is, using the methods of music history, music aesthetics, music sociology and ethnomusicology. Especially due to the special political situation of Hong Kong, as well as the Chinese land, British rule, Guangdong residents-constitute the multi-cultural, cross-cultural characteristics of Hong Kong music. Therefore, in the study of its music culture, it will especially combine the research methods and means of music sociology, that is, to study the geographical environment of social groups, the distribution of population, the number and density, the communication among people, etc. This paper studies the influence of the social facts of material social formation, such as religion, custom, fashion, public opinion, public emotion and so on, on the development of Hong Kong music. An in-depth study of the achievements and contributions of mainland composers in Hong Kong's professional music, their cultural identity in Hong Kong, their assessment of the current music situation in Hong Kong and their prospects, etc., will not only help to promote a comprehensive study of Hong Kong's music as a whole, Moreover, it can fill in the deficiency of Hong Kong music history research and promote the research of Chinese music history.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J609.2

【引证文献】