论当代中国摇滚歌词的文化维度

发布时间：2018-06-18 00:34

本文选题：摇滚歌词 + 反叛性　；参考：《西南大学》2010年硕士论文

【摘要】： 1986年,摇滚乐在中国大陆第一次公开亮相。崔健的歌曲《一无所有》成为中国摇滚乐的诞生标志。中国摇滚自诞生以来,就一直受到很多争议。但摇滚歌词中丰富的文化内涵,却不容置疑。本论文以此为出发点,选取了中国摇滚代表乐队的代表作品,仔细探讨它们呈现的不同维度的文化价值。论文主要分为四个章节：第一章,以崔健及“舌头”、“痛苦的信仰”乐队的歌词为个案,阐述摇滚精神的主要特征——反叛性,以及这种反叛性是如何在歌词中具体体现。第二章,通过对“唐朝”、“二手玫瑰”等几个不同乐队歌词的个案研究,分析中国摇滚歌词所蕴含不同的传统性。“唐朝”乐队从高扬国家民族光荣复兴的呐喊到关注个人与集体的生存：“二手玫瑰”的歌词充满了传统民俗意味。第三章,通过对“魔岩三杰”歌词文本的研究,挖掘中国摇滚歌词中强烈的人文精神。在人文精神的传播中,“魔岩三杰”各有特色：窦唯在前期高歌猛进,后期则进行先锋实验性的摇滚创作,歌词文本构成一种禅意。张楚的歌词创作充满了理想与悲悯的人文关关怀；何勇则在摇滚歌词中反映并控诉社会的阴暗面。第四章,中国女性摇滚歌手的出场是一道特别的风景线,女摇滚歌手的歌词作品从不同的角度反映了中国女性意识的觉醒。本章选取了中国摇滚史上最具代表性的女摇滚歌手蔚华、宝罗、“眼镜蛇”乐队及罗琦的歌词作品作为分析对象,对她们作品中文化内涵展开了细致论述。中国摇滚乐历史不长,但它却给中国当代社会带来了巨大的文化震撼力。音乐是躯体,歌词是灵魂,正是由于摇滚歌词蕴含的丰厚的文化价值和意义,才使摇滚乐成为一种富有魅力的歌曲艺术体裁。
[Abstract]:In 1986, rock music was the first public appearance in China. Cui Jian's song < nothing > became the mark of the birth of Chinese rock music. Since the birth of Chinese rock, Chinese rock has been subject to many disputes. But the rich cultural connotation of rock lyrics is unquestionable. This paper takes this as the starting point, and selects the generation of the representative band of Chinese rock. Table works, and carefully explore their different dimensions of cultural value.
The thesis is divided into four chapters.
In the first chapter, the lyrics of Cui Jian and the "tongue" and the "painful faith" band are used to illustrate the main features of the rock spirit - rebellious, and how this rebellious is embodied in the lyrics.
The second chapter, through a case study of the lyrics of different bands such as "Tang Dynasty" and "second-hand rose", analyzes the different traditions of Chinese rock lyrics. "Tang Dynasty" band from the national glory of national rejuvenation to pay attention to individual and collective survival: the lyrics of "two hands rose" are full of traditional folklore.
The third chapter, through the study of the lyrics text of "the three heroes of the magic rock", excavates the strong humanistic spirit in the Chinese rock lyrics. In the spread of the humanistic spirit, "the three heroes of the magic rock" has its own characteristics: Dou Wei advanced in the early stage, and in the later period he carried out the pioneer and experimental rock and roll creation, and the lyrics text form a kind of Zen. The lyrics of Zhang Chu are filled in. Full of human concern for ideals and compassion; He Yong reflects and accuses the dark side of society in rock and roll lyrics.
In the fourth chapter, the appearance of Chinese female rock singers is a special landscape. The lyrics of the female rock singer reflect the awakening of Chinese women's consciousness from different angles. This chapter selects the most representative female rock singer in China's rock history, Wei Hua, Bao Luo, "Cobra" and Roach's Lyrics as the analysis object. The cultural connotations of their works are discussed in detail.
The history of Chinese rock music is not long, but it has brought great cultural shock to Chinese contemporary society. Music is the body, the lyrics are the soul. It is because of the rich cultural value and significance of the rock lyrics that make rock music a charismatic art of song.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J605

【引证文献】