试论京剧音乐的平衡性

发布时间：2018-06-18 02:52

  本文选题：试论 + 京剧　； 参考：《人民音乐》2013年03期

【摘要】：正近代戏曲音乐发展的审美倾向,在于表演艺术家纷纷"把观众唱高兴了就是好的"①效应作为追求目的,又与民众精神品格的吻合赢得广大艺术市场,加上传承的必然性,最终走向音乐表现以人物演出效果为参照对象,符合观众审美需求的音乐发展轨迹。京剧音乐在展开的很大程度上受到制约,形成相对固定约定俗成的运动形式,一个明显的特征就是在戏曲舞台表演的过程中互相补充、互为映衬的平衡性特点。其特殊音乐细节的装饰性以及多变的旋律处理,与演员演唱的个性色彩相加,使平衡作用下的音乐相对舒展。
[Abstract]:The aesthetic tendency of the development of opera music in modern times lies in the performing artists'"singing happy audience is a good" effect as the pursuit goal, and winning the broad art market in accordance with the spiritual character of the masses, plus the inevitability of inheritance. Finally, the performance of music takes the performance of characters as the reference object and meets the aesthetic needs of the audience. The music of Beijing Opera is restricted to a great extent and forms a relatively fixed and regular form of movement. An obvious feature is that it complements each other in the process of performing on the stage of opera and sets off the balance of each other. The adornment of its special musical details and its changeable melodies add to the individual color of the actor's singing, so that the music under the balance function is relatively unrestrained.
【作者单位】： 中央戏曲学院;
【分类号】：J617.1
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本文编号：2033697