十二音序列技法在中国作品中的运用
发布时间：2018-07-25 08:06
【摘要】： 自罗忠昒先生1980年创作《涉江采芙蓉》以来,我国作曲家开始了对十二音序列技法的探索,并创作出了不少具有中国民族性的优秀作品。 本文以我国成功的十二音作品为研究对象,结合自己的创作实践,从序列音乐的起源与研究价值、五声序列的设计、旋律、和声、织体、曲式结构、配器及实践与创作分析几个方面来分析中国的十二音作品。论文的第一章阐述了序列音乐的起源及研究价值；第二章分析我国优秀的十二音作品,归纳总结出其民族化用法,并融入自己的一些观点和看法；第三章是对本人的探索性作品——钢琴独奏曲《音诗—记5.12》进行实践与创作分析。在创作中,如何使十二音音乐五声化是音乐实践中的重要课题,也是本文的写作重点所在。 本文力图通过这些分析、研究、论述,引起学术界对“我国的十二音作品”做进一步的关注,并对“十二音序列音乐的民族化”做更为深入的了解和认识,同时,衷心希望这一课题能对我国现代音乐的创作与研究起到某种参考作用。
[Abstract]:Since Mr. Luo Zhonghui wrote "Seaporong in the River" in 1980, Chinese composers have begun to explore the techniques of 12-tone sequence, and have created many excellent works with Chinese nationality. This article takes the successful twelve tone works of our country as the research object, unifies own creation practice, from the sequence music origin and the research value, the pentatonic sequence design, the melody, the harmony, the texture, the musical form structure, Orchestration and practice and creative analysis of several aspects to analyze the 12-tone works in China. The first chapter describes the origin and research value of serial music, the second chapter analyzes the outstanding works of twelve syllables in China, sums up their use of nationalization, and integrates their own views and opinions. The third chapter is the practice and creative analysis of my exploratory work, Piano Solo, Phonograph 5.12. In creation, how to make twelve-tone music pentatonic music is an important subject in music practice, and is also the focal point of this paper. Through these analysis, research and discussion, this paper tries to arouse the academic circles to pay more attention to "our country's twelve syllables", and to make a deeper understanding and understanding of "the nationalization of twelve tone sequence music", at the same time, Sincerely hope that this topic can play a certain reference role in the creation and research of modern music in China.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614
本文编号：2143171
[Abstract]:Since Mr. Luo Zhonghui wrote "Seaporong in the River" in 1980, Chinese composers have begun to explore the techniques of 12-tone sequence, and have created many excellent works with Chinese nationality. This article takes the successful twelve tone works of our country as the research object, unifies own creation practice, from the sequence music origin and the research value, the pentatonic sequence design, the melody, the harmony, the texture, the musical form structure, Orchestration and practice and creative analysis of several aspects to analyze the 12-tone works in China. The first chapter describes the origin and research value of serial music, the second chapter analyzes the outstanding works of twelve syllables in China, sums up their use of nationalization, and integrates their own views and opinions. The third chapter is the practice and creative analysis of my exploratory work, Piano Solo, Phonograph 5.12. In creation, how to make twelve-tone music pentatonic music is an important subject in music practice, and is also the focal point of this paper. Through these analysis, research and discussion, this paper tries to arouse the academic circles to pay more attention to "our country's twelve syllables", and to make a deeper understanding and understanding of "the nationalization of twelve tone sequence music", at the same time, Sincerely hope that this topic can play a certain reference role in the creation and research of modern music in China.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614
【引证文献】
相关期刊论文 前1条
1 路统洁;;《涉江采芙蓉》的风格及技巧分析[J];芒种;2012年02期
相关硕士学位论文 前1条
1 李俐蓓;储望华钢琴作品《随想组曲—灵隐之声》的创作与演奏研究[D];河南大学;2012年
，本文编号：2143171
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